Great interview with my buddy Daryl Sanders and legendary guitarist Wayne Moss! #nashville #musiccity #theothersideofnashville

Thanks to Eric Gudas at the Los Angeles Review of Books for his review of my book, "That Thin, Wild Mercury Sound: Dylan, Nashville, and the Making of Blonde on Blonde." You can read it here: lareviewofbooks.org/article/a-long…

For anyone in the Nashville area who's interested, I'll be at Barnes & Noble Vanderbilt this Saturday, Nov. 10, at 2 p.m., discussing my book, "That Thin, Wild Mercury Sound," and reading from it, as well as taking questions about the book and Blonde on Blonde. Chicago Review Press

I had the pleasure of appearing with senior writer Brian Hiatt and guitar legend Wayne Moss on Rolling Stone Music Now, the mag's SiriusXM show, a couple of weeks ago. In case you missed it and are interested, you can hear the show here: rollingstone.com/music/music-fe… Rolling Stone

Thanks to the Los Angeles Review of Books for the review of my book, "That Thin, Wild Mercury Sound: Dylan, Nashville, and the Making of Blonde on Blonde."

Hahahahahaha!

This is a long, but excellent read on the state of music journalism. cjr.org/analysis/music… via Columbia Journalism Review

Producer-engineer Elliot Mazer, who died last week, helped Nashville evolve as a recording center in the ’60s and ’70s. Daryl Sanders offers a remembrance. nashvillescene.com/music/features…

Once again, the SEC Network punishes VU by assigning Tom Hart, the most annoying play-by-play announcer in America, to call the game with OU tonight. The guy refuses to call the damn game. It's a total clown show. How Tom Hart keeps his job is one of sports' great mysteries.