THE MAN WHO LEFT HIS WILL ON FILM Directed by Nagisa Ôshima Japan, 1970

One and all, here is THE WILD PALMS (2025, Jean-Luc Godard), which intertwines the reels and narratives of MADE IN USA (1966) and TWO OR THREE THINGS I KNOW ABOUT HER (1966). Based on my viewing and notes at the world premiere at the ICA, London. Link: mega.nz/file/GBszFAwQ#…

Alcott had unbelievable range:

HUGE 🔥🔥🔥

Happy Last 4 Friday to all who celebrate

90s Todd McFarlane-core

The Scenic Route (1978) de Mark Rappaport legendas em português e espanhol drive.google.com/drive/folders/…

The Big Trial (1930) / Raoul Walsh

cannot wait for New Rose Hotel in hi-def, please god someone do The Blackout next

An incredible level of self awareness by Kahlil Joseph.

ARNOW HIVE ASSEMBLE

Pics of the next James Gray looking suitably Gray-esque…kinda think he can get a lot out of Teller tbh.

Bullet in the Head

an entire year's worth of cinema. check them out!

vimeo.com/user202037069

If a contemporary DP tried to light a movie like Janusz Kaminski given the amount of time, money, and the fact that you’d have 25 people in video village asking them to make it brighter as they pixel peep a 4k monitor the DP would be fired before the first week was done.

revisiting Bullet in the Head has reignited my love for Tony Leung, responsible for probably my favorite actorly moment/gesture ever:

All you need to do to convince someone a movie might be good is to post 4 screenshots