Christian A. Coleman (@coleman_ii) 's Twitter Profile
Christian A. Coleman

@coleman_ii

Digital marketing at @BeaconPressBks by day, SFF writing by night. Interviews in @LightspeedMag. @ClarionUCSD grad. Tweets are his own. ✊🏽🏳️‍🌈

ID: 1840494361

calendar_today09-09-2013 06:08:35

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Sam J. Miller (@sentencebender) 's Twitter Profile Photo

This just makes me really sad. There's some anger but mostly sadness, at all the artists - now and in the future - whose growth and craft will be forever stunted and weakened by these insidious tools and the hype that's made them seem appealing.

Nia / N.E. Davenport-updates only (@nia_davenport) 's Twitter Profile Photo

Alot of y’all’s faves are simply yt FMCs cosplaying historical and present-day oppressions perpetrated against BIPOC individuals. But when those same experiences are explored in BIPOC books “it’s too much trauma, too heavy-handed, or doesn’t allow for escapism” ☕️

Christian A. Coleman (@coleman_ii) 's Twitter Profile Photo

Especially the first thing. Why do MCs have to win high-school popularity contests by being likable? Why isn’t being compelling in their convictions enough?

wr0te&r0t (@wroteandrot) 's Twitter Profile Photo

80% of what gets published is designed to appeal exclusively to privileged white neoliberal women readers and the privileged white neoliberal women who work in publishing.