Jungkook Charts (@chartjungkook) 's Twitter Profile
Jungkook Charts

@chartjungkook

Your best chart source about Jungkook around the world.

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linkhttps://ingrv.es/JungKookGolden calendar_today20-03-2021 16:25:42

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“GOLDEN” received a smash update on Spotify yesterday following the release of “I AM STILL”, with 7.53 million streams (up 480k).

“GOLDEN” received a smash update on Spotify yesterday following the release of “I AM STILL”, with 7.53 million streams (up 480k).
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Despite being released +400 days ago, “Seven” was the 3rd highest-charting song by an Asian act on global Spotify yesterday shattering “New Woman (feat. Rosalia)”.

Despite being released +400 days ago, “Seven” was the 3rd highest-charting song by an Asian act on global Spotify yesterday shattering “New Woman (feat. Rosalia)”.
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“GOLDEN” has earned it’s biggest streaming day since june 10 on Spotify yesterday with a smash updated of 7.87 million streams (up 328k).

“GOLDEN” has earned it’s biggest streaming day since june 10 on Spotify yesterday with a smash updated of 7.87 million streams (up 328k).
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“TOO MUCH” has been certified gold in Canada for selling 40,000 units in the country. Jungkook extends his record as the Asian soloist with the most certified songs there.

“TOO MUCH” has been certified gold in Canada for selling 40,000 units in the country. Jungkook extends his record as the Asian soloist with the most certified songs there.
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“Left and Right” has been certified Silver in the UK for selling over 200,000 units in the country. Jungkook becomes the first K-soloist in history to have multiple songs achieving this.

“Left and Right” has been certified Silver in the UK for selling over 200,000 units in the country. Jungkook becomes the first K-soloist in history to have multiple songs achieving this.
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Congratulations to BIG LATTO in now owning the most streamed song by/with a female rapper in Spotify history as “Seven” surpassed “Kiss Me More”.

Congratulations to <a href="/Latto/">BIG LATTO</a> in now owning the most streamed song by/with a female rapper in Spotify history as “Seven” surpassed “Kiss Me More”.
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Jungkook is back as the only Asian act with multiple songs on global Spotify currently without new releases, while failed comebacks left the chart.

Jungkook is back as the only Asian act with multiple songs on global Spotify currently without new releases, while failed comebacks left the chart.
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Jungkook’s “I AM STILL” has grossed total $2.36M in domestic (USA) box offices from it’s first three days of exhibition, Deadline reports. It’s already the biggest opening week for any Asian soloist music cinema event in history on the said country.

Jungkook’s “I AM STILL” has grossed total $2.36M in domestic (USA) box offices from it’s first three days of exhibition, <a href="/DEADLINE/">Deadline</a> reports.

It’s already the biggest opening week for any Asian soloist music cinema event in history on the said country.
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Jungkook’s “I AM STILL” becomes the biggest week for any music act cinema event in the US this year, surpassing BLACKPINK’s “WORLD TOUR [BORN PINK] IN CINEMAS”, doubling the previous record with just three reported dates.

Jungkook’s “I AM STILL” becomes the biggest week for any music act cinema event in the US this year, surpassing BLACKPINK’s “WORLD TOUR [BORN PINK] IN CINEMAS”, doubling the previous record with just three reported dates.
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Jungkook has now surpassed 2.9 billion streams on Spotify in 2024. It's the second biggest streaming year for a K-pop soloist on the platform, only behind his own record in 2023, with the fastest accumulation.

Jungkook has now surpassed 2.9 billion streams on Spotify in 2024. 

It's the second biggest streaming year for a K-pop soloist on the platform, only behind his own record in 2023, with the fastest accumulation.
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Jungkook’s “I AM STILL” has grossed $8.18M at the global box office from 4 reported days of screening, with $2.57M coming from the US. It’s already the highest-earning musician cinema documentary of the year.

Jungkook’s “I AM STILL” has grossed $8.18M at the global box office from 4 reported days of screening, with $2.57M coming from the US. 

It’s already the highest-earning musician cinema documentary of the year.