"If and when the object becomes included into the permanent collection of a Museum, its care becomes immortalized." Eunsong Kim reveals the institution's distorted priorities through research of communication regarding museum air conditioning in the '30s: artpractical.com/feature/remain…

Join us next Wednesday at 5pm PST for Future of AP (Art Practical/Art Publishing), a Zoom panel discussion on the current and future states of arts publishing. RSVP through Eventbrite to receive the link! eventbrite.com/e/the-future-o…

"Jeamin Cha connects seemingly divergent elements of present-day life." New Takes columnist Maddie Klett explores the video work of artist Jeamin Cha in "Trees in Pretty Shapes: Jeamin Cha at KADIST": artpractical.com/column/trees-i…

In "MIX and the Museum: Researching the Politics of Inclusion," part of Issue 11.3: On Being Included, Qianjin Montoya looks back to SFMOMA's Museum Intercommunity Exchange of the '70s to move forward. On Being Included is guest edited by Latipa & Yusef. artpractical.com/feature/mix-an…

This Wednesday! RSVP through Eventbrite to receive the Zoom link: eventbrite.com/e/the-future-o… We hope to see you there!

Future of AP (Art Practical/Art Publishing) is TONIGHT! RSVP through Eventbrite to receive the Zoom registration link. After you've RSVP'd, please check your inbox and register for the webinar before the event. See you soon! eventbrite.com/e/the-future-o…

Check out James McAnally's essay: "Dependent Publications: Art Publishing Presents and Futures"! Originally commissioned by The Chart in 2019, we've republished this piece today in hopes that it will generate further conversation on new models & forms of art publishing.

For our last New Takes column, author Maddie Klett sits down with artist Richard-Jonathan Nelson to discuss his process and work, which reveals how the Black body exists in a constant state of crises and survival. Read the full interview here: artpractical.com/column/intervi…

"We unmake linear capitalist time as we walk into the unknown, into darkness, into the hold...What is possible in surrendering to darkness?" Treva Ellison writes on the "vantapower" of Black geographies & queer and trans artists of color: artpractical.com/feature/vantap…

As the pandemic keeps us apart physically, artists find ways to connect us, adapting and creating new ways of sharing work with their communities. Read Art Practical’s In/With/For the Public, which offers artists’ insights on working in the public realm. krfoundation.org/artists-insigh…

Chaédria LaBouvier recounts her experience curating "Basquiat’s 'Defacement': The Untold Story" and suggests that the current moment is one of possibility, arguing for true radicalization of the institution in "The Mode of Production as Empire": artpractical.com/feature/the-mo…

Jolene Rickard reminds us that the project of inclusion is only an “incidental benefit” to the larger movement and effort to restore Indigenous knowledge and sovereignty in "Unintentional Inclusion and Indigenous Art." Read the full essay on Art Practical: artpractical.com/feature/uninte…