For the CAYC, the “Arte de sistemas” movement transcended its meaning over time from its initial preoccupation with process in art to refer to an essentially political art. Visit the CAYC Files to explore newsletters related to “Arte de sistemas.” bit.ly/3r7bCr3

The Centro de Arte y Comunicación promoted collaboration between experts in various spheres of knowledge, including electronic music, experimental films, and performances. Visit the CAYC Files to explore interdisciplinarity at the CAYC. bit.ly/3XuCGNo

Check out Carla's contribution to the #ArteVisuales special issue on #ChicanoArt that she mentions in the @artforum interview below in ICAA Documents Project! icaa.mfah.org/s/en/item/8206…

The text, ¡Al Fin Pintura! (1976) [Painting, at Last!] was an introduction to the exhibition with the same name at the Galería Belarca in Bogotá, organized by Eduardo Serrano. Record ID 📌 1099111 tinyurl.com/km7967nj

In this 1978 catalogue, Hélio Oiticica introduces the work of Regina Vater in the form of a visual poem. • Record ID 📌 1110547 bit.ly/46rJkaW

Welcome to Smithsonian Latino Museum Studies Program fellow Jeannette Martínez! Jeannette is researching & finalizing records for AAA collection documents concerning Latina art professionals that will enter the Documents of Latin American & Latino Art digital archive International Center for the Arts of the Americas

We are thrilled to have Jeannette’s research chops and expertise shape the ICAA’s current and future initiatives focused on Latinx Art! Thanks to our strategic partners and collaborators ArchivesAmericanArt #LatinoMuseumStudiesProgram National Museum of the American Latino Smithsonian

Under the heading of “Arte pobre,” Flávio Motta presents a small object he created: “Gato encaixado” (1973), a sculpted feline figure is mounted on a little box engraved with a humorous text. • Record ID 📌 1111369 bit.ly/3ps9LwQ

🎉X as Intersection Series Announcement🎉 US Latinx Art Forum is elated to announce the next season “X as Intersection”. This virtual program series features the third cohort of the Latinx Artist Fellowship. To learn more: uslaf.org/x-as-intersect…

Join our team! The ICAA is hiring a Digital Experience Specialist to manage and produce bilingual content for its digital platforms. Find out more and apply: tinyurl.com/365rc5y6

Joiri Minaya, Maria Cristina (Tina) Tavera, Sofía Gallisá Muriente, and Verónica Gaona will discuss  the materiality of their work as a means to challenge cultural stereotypes and interrogate constructs of race, ethnicity, gender, and identity. RSVP: tinyurl.com/wukz4t6

🔔 Good news for aspiring fellows: we’ve extending the deadline! 🔔 Apply to the 2024-25 fellowship cycle by May 3rd. Learn more at icaa.mfah.org/s/en/blog/post….

Join us on Tuesday, May 16th, at 6:30 PM CDT for a talk with Maria Magdalena Campos-Pons. 📷 This program takes place in Lynn Wyatt Theater in the Kinder Building at the Museum of Fine Arts, Houston. Admission is free. Find out more at mfah.org/calendar/artis….

In this essay, artist and author Rupert Garcia focuses on two related modes of Chicano art: the mural and the poster. The artist’s role within this context was to communicate the most pressing issues of the movement to the community. Record ID📌809445 Researchers: Tere Romo

The Museum presents a free symposium to accompany the exhibition Navigating the Waves: Contemporary Cuban Photography. This program is included with Museum admission and takes place in Lynn Wyatt Theater in the Kinder Building.

Visit our Kinder gallery and document archive at icaa.mfah.org to learn more about Lothar Charoux! #LotharCharoux #museum #ConstructiveArt #SãoPaulo #gruporuptura #ruptura #MFAH #ICAA #WaldemarCordeiro #Manifesto #Painting #BrazilianConstructiveArt