So much joy 🎉

THRILLED about this appointment. Over the moon for Chris Sonnex and for Cardboard Citizens who get to have this fantastic human at the helm🎉💪

I can't express to you how much I've felt seen and heard by HighTide Theatre over this last year, the team has been so generous with their time, truly holding safe spaces for artists to make work their own, unique, boundary-pushing ways. Eternal gratitude. See you at @NewWolsey ❤️

Excited to share this with you all @NewWolsey #Inventingthefuture big love to HighTide Theatre and the absolute babes Holly White & Suba Das for their generous support and always making time to for honest chats ❤️ tix on sale wolseytheatre.co.uk/shows/bump/

Really pleased this is finally out there and that we'll be convening this mega talented bunch next month. It's been an absolute highlight getting to support so many incredible artists over this last year and to be able to showcase some of their extraordinary work is a dream.

Very excited to be on my way to SlungLow for a couple days on the moor and to be repping HighTide Theatre (and resisting the urge to do my best Kate Bush, although sure team HT would approve). Looking forward to hearing from and meeting some new great humans!

So I want to offer some thoughts on rejection as 1) a full time artist who necessarily experiences plenty of it myself and 2) someone who has had the simultaneous privilege and agony of having to select candidates for various opportunities.

Just going to continually repeat this wicked life mantra to myself

‘Joy matters’: UK theatre festival tackles hard-hitting issues with a sense of fun theguardian.com/stage/2021/oct…

This year, for many reasons, has felt even more challenging than last but drafting this thread has made me remember some joyful moments. Very proud to have worked on some brilliant projects, met some great people and experienced some culture this year. Looking forward to 2020.2!

Huge huge love to all the @VAULTFestival team and all the independent artists and producers who were to going be presenting work there this year. Cannot wait to see some brilliant new work when it can happen again safely ♥️

‘I wanted to know what the human body is capable of’: the drama set entirely in water theguardian.com/stage/2022/feb…

Chuffed with the response to this gorgeous show that so many people have worked so incredibly hard on. Producing and creating new work in a pandemic is bloody difficult for many reasons - I'm beyond grateful to all the team and so proud of what they've achieved. Come see! 🏊‍♀️

Hello pals, very soon I'll be leaving National Theatre and fully back in the Lighting Design game. I'm super excited to get back out there, so hit me up if you're on the lookout for an LD who loves devised work! Website is here: lucyadamslighting.com

Are you our next Artistic Director(s)? Do you lead with kindness + care + share our vision of an East of England where everyone has the opportunity to share or encounter their story with joy? If so we’d love to hear from you. Apply by 25 May More info tinyurl.com/HTADir

.Waleed Akhtar has written a phenomenal play and this production Brixton House is really special. I'm so pleased that HighTide Theatre is a part of it. Get down to Brixton or check it out on tour across the East in June! hightide.org.uk/event/kabul-go…

Surreal & bittersweet to be leaving HT after many happy years but I'm excited for a bit of a different challenge! Forever grateful to have worked with incredible artists on some exceptional new plays & festivals. So excited for HT's future under Rowan Rutter & Clare Slater 💛

Hello! I'm looking to build my list of creatives based in and around Manchester, in particular lighting and sound designers. Is that you or someone you know??

Loved seeing the fantastic and slick new production of Brilliant Jerks last week, produced by the brill RJG Productions Limited. Cannot believe it's been 5 years since I produced the VAULT run (and it still remains one of my fave projects). Get down to Southwark Playhouse before 25 March!