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Headpress "Being rich is not about how much money you have or how many homes you own; it's the freedom to buy any book you want without looking at the price and wondering if you can afford it".

Fabulous review of Heidi Honeycutt's I Spit On Your Celluloid in the latest Cine-Excess Journal! Read it and an excellent set of articles on Demons, Darkness and the Abject here: cine-excess.co.uk/heidi-honeycut…

#arttrashterror countdown! With less than a week to go until the release of Chris Alexander's ART! TRASH TERROR!, which Nic Cage are you today?

An occasional book recommendation to those who love a book recommendation. I didn't quite know what to expect of this- well, I did. I expected some trashy bloggers treatment of grim sites of death written in the glib style of Hello. BUT. It was an informative revelation.

#arttrashterror countdown! They both put their own stamp on the role, but if you *had* to choose, which version of Maniac is your favourite, the original with Joe Spinell or the remake with Elijah Wood?

#arttrashterror countdown! Chris Alexander has picked his nine unforgettable episodes of The Twilight Zone in the pages of ART! TRASH! TERROR! but there are so many possibilities...

The greatest song of hope was initially given B-side status. A Change Is Gonna Come came to Sam Cooke fully-formed, following an altercation at a whites-only motel. That incident reprised itself with tragic consequences prior to its release, 60 years ago, on the flip of Shake.

#arttrashterror countdown! Chris Alexander's interview with Nicky Henson features in ART! TRASH! TERROR! "This script comes through the letterbox one day from my agent and I was already a motorcyclist..." #psychomania #cultfilm

SONIC SEWER Pre-Orders go live Weds 12 Feb. The time sales start (inc. limited 10% Discount Bundle Deal, featuring the top packages for all 3 books) will be announced 12 hours in advance exclusively via our Newsletter. Sign up at the bottom of any page at fabpress.com

North Carolina songwriter Ben Folds didn’t delete the expletives with his uninhibited piano take on Dr Dre’s Bitches Ain’t Shit, B-side of Landed. Released 20 years ago, it quickly became a live favourite. Wary of getting ‘cancelled’, Folds excised it from his sets in the 10s.

Book Review: FASCINATION: THE CELLULOID DREAMS OF JEAN ROLLIN by David Hinds from Headpress Publishing hayeshudsonshouseofhorror.blogspot.com/2025/02/book-r…

A game-changer that set the pop-disco template for the remainder of Hot Chocolate’s career, You Sexy Thing didn’t initially float the boat of super-producer Mickie Most. He made it B-side of Blue Night #OTD 50 years ago before having a change of heart.

#enclosurethree Headpress For the next week this self-printed ARC will be my constant companion. A show based on this book is due in May. Hope until then it can be bought over here on the continent. Dear #bleepbloopfriends: It is ace.

Released #OTD 60 years ago, Who’ll Be The Next In Line was a passive-aggressive tune about broken hearts. The nagging, nervous flip of Ev’rybody’s Gonna Be Happy, it continued the Kinks tradition for B-sides better than their A-sides (and later gained top billing in the US).

Performed at New York’s Baseball Hall of Fame on a bat-shaped guitar, Centerfield’s broad appeal put Creedence Clearwater Revival songwriter John Fogerty back in the game. Its riff-based homage helped A-side Rock And Roll Girls into the US charts, 40 years ago this month.

Hidden, uncredited, on the B-side of Mercury Rev’s first CD single Car Wash Hair is Untitled, a 30-minute bad acid comedown of scathing guitar loops and low sine waves, soured by repeated screams of “I want to be inside you”. New blog: b-side.website/2025/03/31/unt…