One year, six ways—I enjoyed imagining a half-dozen different futures for MIT Technology Review.

Today is the day! Our annual reading period begins now. Send us your best poems, stories, essays, and translations by September 30. Submit here: theyalereview.submittable.com/submit

What happiness it is to find a book that touched you deeply on prominent display at the bookstore next to your house

📢 Announcement! Graywolf Press will hold an open submission period for contemporary poetry in translation from 11/11 to 11/15. Complete details and instructions here: graywolfpress.org/about-us/submi…

Jewish Currents and I were profiled in The New Yorker. Grateful for the privilege of this work, and for the people who do it with me. newyorker.com/magazine/2024/…

i’ve got a poem in The New Yorker this week—a kind of meditation on mortality + retail time, with cameos from Halloween City 🎃, Mircea Eliade, + my sister! (from Assembled Audience, due out in 2026 from Milkweed Editions) newyorker.com/magazine/2024/…

If you’re a comfortable American who has yet to speak out against this, you’re not free. You’re shackled to something stronger than the pull of your own conscience. Whether that’s careerism or social cowardice or plain old racism, it doesn’t really matter. You’re not free.

One more day to submit to @elasticmag's dying issue, which comes out in print in March 2025! Can't wait to share all this dreamy, surreal, sublime work with you.

Two slim, yellowish books that fucked me up beautifully last weekend.

Gently re-opening to queries now that I am finally (almost nearly) caught up from being open earlier this year. As always, I'm on the hunt for literary fiction with teeth—esp ones that leave you with well-earned emotional hangovers. To query me: pandeliterary.com/queries-pandel…

So thrilled that this AWP panel on experiments in time across genres has been accepted — and excited to be in conversation with the brilliant Elissa Washuta, Jaquira Díaz, sasha fletcher, and @shzehuitjoa. Also, Elastic magazine will debut in LA, holy shit.

Who does fantastic blackout poetry?

A beautiful speech by Madeleine Thien who will be donating the entirety of her prize to the Woodcock Fund for Canadian writers in need, the Palestine Children's Relief Fund, and the Lebanese Red Cross, in the name of her friend Y-Dang Troeung, who passed away in 2022.

All right, friends, @elasticmag and I have migrated over to the blue place. Find us there, for the love of god.

Please god let it happen, let it hold, let there be some justice in its wake.

My Tin House class on editing nonfiction is back this Sunday and there are some spots left! Open to already-editors and aspiring editors who want to learn how to best serve someone else's writing and when to get the hell out of the way. tinhouse.com/product/winter…