FLEXXAS ๐Ÿค  (@flexxasmusic) 's Twitter Profile
FLEXXAS ๐Ÿค 

@flexxasmusic

HOWDY ๐Ÿค  I make #CountryHouseMusic @insomniacevents #yeedc | Support: @imOMNOM โ€ข @SNBRNmusic โ€ข @NASSERBAKER โ€ข @VAVOmusic โ€ข

ID: 1031282797686730753

linkhttps://linktr.ee/flexxas calendar_today19-08-2018 20:52:34

16,16K Tweet

1,1K Followers

4,4K Following

Pitchfork (@pitchfork) 's Twitter Profile Photo

The United States Justice Department has sued Live Nation Entertainment, alleging that the company, which owns Ticketmaster, holds a monopoly in the concert market โ†“ p4k.in/lch83qf

Pitchfork (@pitchfork) 's Twitter Profile Photo

Cowboy Carter is a powerful and ambitious country album cast in the singular mold of Beyoncรฉ Our review โ†“ pitchfork.visitlink.me/egjs4r

nappy the plug (@nappytheplug) 's Twitter Profile Photo

DJ AM is pretty unanimously known as one of the most important open format DJs to ever live, and he was SO known for hiding his track lists they added the feature to DJ software. DJs hiding track names is an important part of the art, historically ๐Ÿฅน

DJ AM is pretty unanimously known as one of the most important open format DJs to ever live, and he was SO known for hiding his track lists they added the feature to DJ software.  DJs hiding track names is an important part of the art, historically ๐Ÿฅน
Dances (@dances) 's Twitter Profile Photo

jawn is like "your really killing it right now" and i thought well friend this is why we cant hang out catch up tbh anybody cause im trapping

TVBOO (@musicbytvboo) 's Twitter Profile Photo

Shaking while typing this.. DAISY DUKES & COWBOY BOOTS IS OUT NOW! I honestly feel like a kid on Christmas morning. So much work went into every aspect of this album, from the music itself and the amazing collaborators, to getting the artwork right, down to the damn TOUR! I

RamonPang (@ramonpang) 's Twitter Profile Photo

this is how the dj looks at the crowd before they're about to transition from a 212bpm track in 5/4 to a 169.6 bpm in 4/4 by hitting it on the triplet

this is how the dj looks at the crowd before they're about to transition from a 212bpm track in 5/4 to a 169.6 bpm in 4/4 by hitting it on the triplet