About new Terminal Nation: I can feel a solid Bolt Thrower vibe coming across a titanic DM structure, crawling like a giant being while chianed by the ankles; the HC elements pull it straight, while utter heavy chords push it back in an endless tug of war! It got some surprises.

Na boa, ser palmeirense num faz bem pra saúde, não.

QP a vanishing point.

Late addition to the post for this week from lııl § 𝔦 𝕄 ꆂ ₦ lııl and The Return of the Cheese to make it a top 3 for Week 16! Not as strong as the past weeks but really liked these top ones. Courtesy of 𝕶𝕸ä𝕹𝖗𝖎𝖋𝖋𝖘 #FFFApr26 . #metalOD #metaltwitter #IoRMay2

Comparing the two decades side by side, and you realize that actually 90s Saxon was most regular than 80s Saxon by a large margin.

Considering the amount of releases in each decade, of course.

Well, I mean... Yes?

Only the devil knows how much I wrote these words until my old dumb cellphone finally memorized them into it:

Here is! The perfect fusion between Hate (POL) & Djevel (NOR) abusing of an atmospheric structure while exposing a huge BM aesthetic! Sounds utterly dense, immersive & doesn't retreat any inch of a criverous path! When this type of BM hits, usually it lands to kill! Fantastic!

HEAR ME OUT!!! This one is just for oldschool Thrash/Speed maniacs around: a frantic conjecture where tenacious riffs meets the unbeatable musical aesthetic from the past which fits to this kind of work so nicely! 4 tracks to obliterate e/thing! Who needs a new Cavalera anyway?

S.O.D.

Two different DM bands whose approach complements each other: the 1st track has a more direct appeal, mixing some BM/Speed parts among an interesting DM structure, while the 2nd track goes right into a Melodeath path, abusing of a proximity wt Gothenburg sound; just a snack EP.

This one is only FFO modern Metal soaked in HC vibes; I think the term 'Metalcore' doesn't do justice since the elements of Heavy/extreme Metal are there well merged among the sound structure, yet emerging from a contemporary grip! It's not bad tbh, but def isn't for everyone.

Right from the HM-2 core, a structure that pays homage to all Swedish DM school lacks in originality but compensates wt an intense blast of OSDM made wt passion; honestly I'm really tired of that approach but I understand the niche which still claps for this material. Have fun.

Drowned in a solution of chloroform while composed by utter dragging parts, the sound is quite different from what the cover suggest: a heavy Stoner/Doom crafter using morbid tools, somehow stupdly dense while supported by cool keyboards/70s approach! Goes decent & correct.