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There is just one week left to register for in-person attendance for Colour Matters! Tickets will still be available for virtual attendance until 29 November. Register here: eventbrite.co.uk/e/colour-matte…..

Thursday is fast approaching!

Our latest story highlights three early Victorian pioneers of colour technologies, Anna Atkins, Sarah Acland and Loie Fuller, who experimented with cutting-edge photographic and light projection techniques. Read more: ashmolean.org/article/how-vi…

This Wednesday will be the last day to register for online attendance for the Colour Matters conference. Please grab your tickets here: eventbrite.co.uk/e/colour-matte…

We're also delighted to share more details of our excellent programme! 👇

This research helped us uncover stories held within the paintwork, including scenes which existed behind the final vibrant blue backgrounds. Learn more about this project ERC Chromotope. Plus, see this incredible object on display in our major exhibition Colour Revolution. (3/3)

Let the colour revolution begin! The ERC Chromotope symposium #ColourMatters has started at Trinity College, coinciding with the #ColourRevolution exhibition at Ashmolean Museum.

Two of our committee members (independently) attended ERC Chromotope symposium #ColourMatters Trinity College this week & had a chance to visit #ColourMatters Ashmolean Museum - a fascinating few days discussing colour in #19C & a wonderful exhibition. 👏🏻👏🏻👏🏻

Yellow was ALL the range in the nineties. The 1890s, that is... This watercolour by Whistler takes us inside the drawing room of his house which was painted entirely yellow. ⁠One of the artist's friends described it as 'standing inside an egg'.

Really enjoyed Colour Matters conference Trinity College. A perfect meeting ground for science and arts scholarships, showcased in a fantastic exhibition on victorian design and fashion Ashmolean Museum. Thank you organisers ERC Chromotope!

How a European colour revolution brought us the humble Christmas card theguardian.com/artanddesign/2…

Meet Charlotte Ribeyrol, professor of 19th-century British #literature @sorbonne_univ_ and creator of CHROMOTOPE, a project that explains how the industrial revolution introduced new ways of thinking about #color in literature, the arts, and beyond! 🎨 👉swll.to/sTIEZck

Belated highlights from the COLOUR REVOLUTION #exhibition Ashmolean Museum, open until 18 Feb: Burne-Jones's 'Angel with Lute'; Sandys's 'Vivien'; Watts's 'The Wife of Pygmalion' and the marble bust that inspired it; and Turner's watercolour palette case, spectacles and knives.

From the splendours of the Indian sub-continent to the Japonisme craze among Decadent artists and authors, Maddie Hewitson writes about how colour forged connections and inspired art across the globe in the Victorian era. Read the story: ashmolean.org/article/east-m… 📷 Kashmir

Last chance to see our exhibition 'Colour Revolution, Victorian Art, Fashion & Design’ (closes 18 Feb). Book your tickets here: ashmolean.org/exhibition/col…

We've extended the opening of Colour Revolution: Victorian Art, Fashion & Design on the exhibition's final Saturday, 17 February. Make an evening of it and enjoy food and drinks in our Rooftop Restaurant! Find out more and book: ashmolean.org/exhibition/col…

This Thursday at 5pm (CET) Stefano Evangelista and Charlotte Ribeyrol will be discussing poetry exhibits in Happy in Berlin? and Colour Revolution at the seminar Poetry Beyond in Paris chromotope.eu/news/invited-t…

A short piece on blots, dots and spots in colour history for Chromobase, database of the ERC Chromotope project which explores the cultural impact of new colours in the 1850s: 'Mary Gartside’s abstract afterlife? Blots in George Barnard’s paint manual' chromobase.huma-num.fr/narratives/mar…

The Materiality of Art through the Senses: Perceptions, Experiences, Knowledge – Online Seminar - 31 May 2024 – 13:30-15:30 with Zuleika Murat, Università di Padova and Charlotte Ribeyrol, Sorbonne Université / VALE- Ashmolean Museum sens.hypotheses.org/?p=153&preview…