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Our story is the old clash between history and home. Or to put it another way, the immeasurable impossible space that seems to divide the

hearth from the quest.

What I call light is my own blend of darkness.

I interpret the world by confusing other people’s psychology with my own. I say I am open-minded but what I think is.

When we killed what we were to become what we are, what did we do with the bodies?

We did what most people do; buried them under the floorboards and got used to the smell.

It's fashionable now to say that any mistake is made by both of you. That's not always true. One person can easily kill another.

But whatever extends the day loses us the dark.

I have noticed that when all the lights are on, people tend to talk about what they are doing – their outer lives.

Sitting round in candlelight or firelight, people start to talk about how they are feeling – their inner lives.

They speak subjectively, they argue less, there are longer pauses.

To sit alone without any electric light is curiously creative.

I have my best ideas at dawn or at nightfall, but not if I switch on the lights – then I start ... tmi.me/1f6ygk

(...) and the shadows and shapes of the house become objects, not suggestions, things that need to done, not a background to thought.

The pain would come back again and again if I didn't live in the grief. And the thought of it coming back was awful, unbearable.

"Everything is permissable if it's a good story...there are no rules, just trends" - JEANETTE WINTERSON spouting writing wisdom jeanette winterson

What can we really learn about about dating from Shakespeare? jeanette winterson investigates: bit.ly/1NG2kS0

'But Winterson's gift for capturing unspoken emotion with powerful but never overwritten lyricism...' (Dean Bakopoulos, NYT)

'Winterson's great gift is capturing the emotional heft of her stories with sentences that hum along, ... tmi.me/1fblJ9