geometric shapesfor your next project:

LiebeHeide Fineliner is the vector version of Ulrike Rausch’s bestselling color font, LiebeHeide. It comes in 5 weights and is also available as a variable font. We love it and think you will too! fonts.ilovetypography.com/fonts/liebefon…

Designed by The McQuades for The New York Times

Juicy fonts! Arbuckle is a bubbly and buoyant display typeface. The family contains two layering fonts to allow for the control and styling of its highlights. Get the fonts: fonts.ilovetypography.com/fonts/garagefo…

In case you missed it: Steven Heller’s Font of the Month for October is OTC Textura, designed by Andrei Ogradă. ilovetypography.com/blog/

Today we feature the first issue of Printing History (1979), the peer-reviewed journal of the American Printing History Association Association. It celebrates the art & craft of printing with rich illustrations & stories of the people & presses that shaped print culture. #TreasuresOfTheRomanoLibrary

29LT Idris Pure. The purpose of creating the Pure version of the Sharp is to explore the extent to which the boundary between calligraphy and simplified typography can be pushed without compromising the composition of the Naskh typographic structure. 29lt.com/product/29lt-i…

funky pop art text style in Illustrator step by step (pantervision)

A load of vintage posters and prints have just been placed on the store... theprintarkive.co.uk

Your biggest competition is your last design.

Rig Solid, a layer typeface by Jamie Clarke is such fun to play with. fonts.ilovetypography.com/fonts/jamie-cl… So many possibilities!

metrik sans font showcase for clean branding

L’une des dernières réalisations des talentueux Toqué Frères, à l’occasion de la rénovation de la Place Debain à Ville de Saint-Ouen-sur-Seine

Martin Majoor’s Comma Base is a wonderful serif-looking sans that we recommend for editorial design, packaging and book covers. fonts.ilovetypography.com/fonts/martin-m…

A remarkably innovative and versatile stencil family from Lucas Fonts. The Stencil’s OpenType magic introduces yet more variety in the form or direction of the bridges, from simplified, horizontal and vertical to radial and mixed. fonts.ilovetypography.com/fonts/lucasfon…

Confer Sans is for the communicators. Humanist where it counts, modern where it matters—this 16-style family brings clarity and warmth to everything from education to packaging.→ From $35. License It at our link in bio!

[New Font Release] Newlyn released New Atlas. typecache.com/news/6577/ #typecache

Poster — Longlegs

Layouting in progress.

If you needed a sign for your next font, here it is! No frills, no fuss. Grotesks do the work—quietly, clearly, confidently. 👉License one at typenetwork.com