this is that scene in underworld where they plug in the blood machine and revive bill nighy

jerry & george make a pact to volunteer if either is picked; jerry gets picked and george pretends not to know him; elaine volunteers bc she couldn’t handle it if jerry won & she had to hear about it forever; kramer engineers complex web of bets to buy his way into the capitol

SCAVENGERS REIGN is the best show I’ve seen in a long time and I’m very happy I got to write about it for IGN ign.com/articles/scave…

Disney's Treasure Planet is 21 years old today, as is this splendid and marvellous introductory shot of the spaceport. 💫

NAPOLEON (2023)

Netflix’s animated action series “Blue Eye Samurai” deserves to be counted among the best shows of the year, Evil Emma Stefansky writes: theatlantic.com/culture/archiv…

it’s giving birthday drafts

In Netflix’s "Pokémon Concierge," the franchise grows up with its audience, writes Evil Emma Stefansky: theatlantic.com/culture/archiv…

I received every reverend mother’s genetic memories by converting the water of life through prana/bindu body control and none of them knew you

"I don’t want to talk about POLITICS, I want to talk about BUGS."—the grossest but also funniest newsletter you should subscribe to is Evil Emma Stefansky's BUGSTACK -- bugstack.substack.com

For that special someone in your life who loves Athina Rachel Tsangari's latest #NYFF62 feature as much as we do.

SyFy’s Tin Man feels like being transported back to a wilder, riskier era of TV, when streaming algorithms didn’t rule the land and you could stumble upon something truly weird. vulture.com/article/wizard…

“Severance” imagined a way to free individuals of pain. Now the show is undercutting its own premise, writes Evil Emma Stefansky: theatlantic.com/culture/archiv…

“Black Mirror” has never pulled punches with its takedowns of our relationship to technology. In its newest season, the Netflix show aims at a particularly close target—streaming services, Evil Emma Stefansky writes: theatlantic.com/culture/archiv…

The TV show “Murderbot” offers a twist on the typical AI story: “a future in which an artificial-intelligence program wouldn’t want anything to do with humans at all,” writes Evil Emma Stefansky: theatlantic.com/culture/archiv…