Genuinely Oscar’s worthy imo

Depends on what. Skill - page Legacy - Lennon Style - Prince Weed guy - Richards

As time goes on the more I realise I am basically Simon Callow in Four Weddings and a Funeral

I mean it’s not Spielberg’s best but this seems harsh.

Just because it self identifies as X I’m supposed to go along with it? It’s political correctness gone mad

Four favourite scenes of the year so far

I realise my “it is what it is” is just repeating “I don’t know” over and over

When your friend makes a self deprecating joke and you have to smack them down because no one talks shit about your friends

I’d be interested to see what actual bdsm practitioners make of pillion.

Proof that Zoë is one of the bravest because if I read my fanfic from back in the day I’d probably claw my eyes out

Be real you all read it as ruin and you all would let her.

All I can think of is this

I dropped a succession of very quick one liners last night and got a “you are on fire tonight” and honestly that saw me through to the morning

No but where else am I going to have my epiphany about my screenplay or practice my impressions?

There was a time when I watched this film every day for a month and you know what I’m still not even close to bored of it

Michelle would have been my obsession in high school and Orla my best friend.

Misery Business.

You know what, fair play. Especially Cadet Kelly.

This encapsulates the key difference between King and Kubrick. King’s novel has a a story of an evil place corrupting a man. Kubrick’s film is about a crazy man being drawn to an evil place. Both valid but radically different.