“The greatest show on Earth is the night sky, and the celestial sphere is the sphere that matters,” writes Octavia Sheepshanks, “We must not neglect it” thecritic.co.uk/the-stratford-…

Another engrossing session about AI ethics and impacts hearing from Was Rahman, University of Bonn and Octavia SheepShanks. #NVF24 #newvideofrontiers #Video #CTV #Advertising

AI images of abuse are inherently corrupting and harmful, only fuelling predators and pedophiles, argues Octavia Sheepshanks thecritic.co.uk/artificially-g…

‘I was treated to women holding miniature wine glasses, floating limbs, unusual finger counts, and plug sockets from a parallel universe.’ How creative is AI? Read Octavia Sheepshanks:👇buff.ly/46NrnEF

‘Most shots look rather like paintings, and the low frame rate and constantly shifting objects and facial expressions suffuse the whole film with a dreamlike quality.’ We can harness AI’s imaginative power, writes Octavia Sheepshanks:👇buff.ly/46NrnEF

🤯#GenAI 1953: "This machine can produce a 5,000-word story, all typed and ready for despatch, in 30 seconds." #RoaldDahl Octavia Sheepshanks starts here to explore existential questions facing writers & filmmakers today for UnHerd @aiFilmAcademy #film3 🔗👇

‘By instilling a culture of shame, stigma and silence, its critics are working to bring about the very scenario they fear.’ AI can have a creative role in film, writes Octavia Sheepshanks:👇buff.ly/46NrnEF

My latest story: Jodi Picoult ‘dismayed’ at AI advert for By Any Other Name #ByAnyOtherName #JodiPicoult #AI thetimes.com/uk/technology-…

My story out today: Penguin has apologised to “dismayed” Jodi Picoult for using AI to promote By Any Other Name. PRH says it didn’t know the imagery was AI-generated as it had used an external creative agency 🧐

After I spotted their AI-generated advert on the Tube, Penguin Michael Joseph have apologised to Jodi Picoult, and said they didn’t know the imagery was AI-generated - I’ve written about it in The Times and The Sunday Times today, including some of the reasons I knew it was AI. 🤖🌄

*AI&Arts: AI & Filmmaking: New Intelligence for the Moving Image with Eryk Salvaggio (Lurker: Murder me if I reply) & Jennifer Ding, curated by Simon Ball & chaired by Octavia Sheepshanks 🏛️ Tuesday 3 December, 3pm, The Alan Turing Institute (in person or on zoom) 🔗turing-uk.zoom.us/meeting/regist…

The UK should clarify its stance on the leading cryptocurrency sooner rather than later, writes Octavia Sheepshanks thecritic.co.uk/trumps-bitcoin…

“Like it or not, Trump is setting an agenda and we would do well to take note” — Octavia Sheepshanks argues that Britain has to appreciate the significance of Bitcoin thecritic.co.uk/trumps-bitcoin…

The UK needs to clarify its stance on #bitcoin - a really well written article by Octavia Sheepshanks comparing the UK to the USA, and a need for the UK Government to get its head out of the sand. thecritic.co.uk/trumps-bitcoin…

My God… Women kept as slaves on HUMAN egg farm: 100 victims are fed hormones and treated like cattle, with eggs removed and sold each month by gangsters | Daily Mail Online dailymail.co.uk/news/article-1…

Digital Frontier 004 is here, our Echoes issue 🦋 With words and art from: Octavia Sheepshanks, Rob Horning, Rebecca Leib, Charlotte Krol, Sam Moore, Dan Hastings-நாராயணன், Henry, Izzy Castro, James Cartwright, Shojiro Nakaoka 中岡 将二郎, Víctor Arce ✷ 𝓵𝔁𝓽𝔁𝓬𝔁, Anna Haifisch and more

The misogyny of gender ideology illustrated in a handful of lines. Men are men but women are “people with a womb and ovaries” 🤮