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since we're posting our favourite bits from this video, i'm bringing back one of mine- sam assuming the stance & sizing up those blocks like assessing cattle at an auction and the absolute silence as he picks his block.....god he's so bewitchingly off-putting and strange

constantly typing & deleting drafts of twts expressing my extreme dismay at the deep-seated heteronormativity & homophobia in the iwtv fandom and how it fundamentally underlies most of the rank discourse, but then realising the futility of it and choosing peace instead

the effect of hearing that first guitar chord played by the vampire lestat on his custom gibson is going to be akin to what the audience felt when they first experienced stravinsky's rite of spring in 1913

zisk directed some of the most beautiful, intimate setpieces in 201 & 205 of the entire series, and the thought of getting more of them in s3 is just the stuff of dreams

The whole world was ready to consider #InterviewWithTheVampire #FYC

since this glorious scene is back in the spotlight, bringing back my thread of a musical analysis of “the whole world was ready to return”, daniel hart’s finest work to date 💙🎵

it’s notable that claudia names her as one of the worst vampires: demanding lestat kill her, discarding the finger & keeping the ring, her particularly vindictive murder - not merely vampiric acts of bloodlust, but a child living out fantasies of murdering her father’s mistress

boyfriend reveal

aliases: ‘my little milkweed’ 🥹🥺

Rockstat board #tome

“i OWN the night”