NONaffArt CIC (@nonaffart) 's Twitter Profile
NONaffArt CIC

@nonaffart

NONaffArt CIC is a fine art organisation that specialises in offering creative workshops, studio space and community/public sculpture.

ID: 1174411585487605761

linkhttp://www.nonaffart.com calendar_today18-09-2019 19:55:37

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Van Gogh Museum (@vangoghmuseum) 's Twitter Profile Photo

The weight of words 🗣️ 'There are so many people [...] who imagine that words are nothing. On the contrary, don’t you think, it’s as interesting and as challenging to say a thing well as to paint a thing. There’s the art of lines and colours, but there’s the art of words that

The weight of words 🗣️ 'There are so many people [...] who imagine that words are nothing. On the contrary, don’t you think, it’s as interesting and as challenging to say a thing well as to paint a thing. There’s the art of lines and colours, but there’s the art of words that
Richard Morris (@ahistoryinart) 's Twitter Profile Photo

Of his roughly four thousand surviving drawings, Klimt’s preliminary studies are amongst the most remarkable, depicting an intimacy that could only be achieved through such a medium. His drawings were private, rarely exhibited, and almost never sold. This is from around 1900.

Of his roughly four thousand surviving drawings, Klimt’s preliminary studies are amongst the most remarkable, depicting an intimacy that could only be achieved through such a medium. His drawings were private, rarely exhibited, and almost never sold. This is from around 1900.
Richard Morris (@ahistoryinart) 's Twitter Profile Photo

In 1908, Sorolla travelled to Seville to paint the gardens of Real Alcázar. The palace, one of the greatest surviving examples of Mudéjar architecture on the Iberian Peninsula, was designed in a style inspired by Moorish taste and workmanship. This is one of the garden's ponds.

In 1908, Sorolla travelled to Seville to paint the gardens of Real Alcázar. The palace, one of the greatest surviving examples of Mudéjar architecture on the Iberian Peninsula, was designed in a style inspired by Moorish taste and workmanship. This is one of the garden's ponds.
Richard Morris (@ahistoryinart) 's Twitter Profile Photo

Charles Ginner's work was painted from one of the windows of his sister's house at Boscastle in Cornwall in the late summer of 1928. Views from windows were a distinctive theme in his personal artistic vocabulary.

Charles Ginner's work was painted  from one of the windows of his sister's house at Boscastle in Cornwall in the late summer of 1928. Views from windows were a distinctive theme in his personal artistic vocabulary.
Ravilious (@ravilious1942) 's Twitter Profile Photo

Chalk Paths, Eric Ravilious, 1935. It depicts an area of the South Downs near Lewes in East #Sussex, now South Downs National Park. The original artwork is in a private collection.

Chalk Paths, Eric Ravilious, 1935. It depicts an area of the South Downs near Lewes in East #Sussex, now <a href="/sdnpa/">South Downs National Park</a>. The original artwork is in a private collection.
Richard Morris (@ahistoryinart) 's Twitter Profile Photo

The scene for Soloman Soloman's 'The Breakfast Table,' (c1915) is the dining room at the family's home in Birchington, Kent; it depicts his wife Ella and daughter Iris, denoted by her hand holding the newspaper and her dangling leg and shoe.

The scene for Soloman Soloman's 'The Breakfast Table,' (c1915) is the dining room at the family's home in Birchington, Kent; it depicts his wife Ella and daughter Iris, denoted by her hand holding the newspaper and her dangling leg and shoe.
NONaffArt CIC (@nonaffart) 's Twitter Profile Photo

Doodle of the Day: Whispers (Virginie Amélie Avegno Gautreau and a Friend) (c. 1883–84), Charcoal and graphite on off-white laid paper, John Singer Sargent (1856 - 1925). This work shows a fast, loose style of working with mastery of minimal line-work to convey mood and meaning.

Doodle of the Day: Whispers (Virginie Amélie Avegno Gautreau and a Friend) (c. 1883–84), Charcoal and graphite on off-white laid paper, John Singer Sargent (1856 - 1925). This work shows a fast, loose style of working with mastery of minimal line-work to convey mood and meaning.