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If you're in LA, check out Janet Werner's latest show, Call Me When You Start Wearing Red, on now through 25 February Anat Ebgi Gallery nichemtl.com/2022/12/19/la-…

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Read an all-new Play Recent, featuring notes on Zoë Mc Pherson, Julia Dault at Bradley Ertaskiran, the Andy Warhol Screen Test series screening tomorrow through Saturday Cinémathèque QC — plus don't miss the Roundtable “Godard aujourd’hui?” February 8th. nichemtl.com/2023/01/20/wor…

Check out Andy Warhol on 16mm tonight at Cinémathèque QC and read the latest Play Recent↯↯ nichemtl.com/2023/01/20/wor…

What is the ultimate experience? What experience could you experience that would put an end to the longing for more experiences? How would you know it was the ultimate it? nichemtl.com/2022/12/21/gat…

Read an all-new 'How Do You Spell Holiday?' featuring notes on Ruth Glennie's Fancy Free Corvette, part of Parall(elles): A History of Women in Design, a new exhibition opening February 18th at MBAM ↯↯ nichemtl.com/2023/01/31/hea…

Read an all-new HDYSH? — with notes on a very special 'Fancy Free' Corvette, part of a new exhibition entitled Parall(elles): A History of Women in Design MBAM nichemtl.com/2023/01/31/hea…

Read a niche interview with Keiko Devaux, fresh on the heels of the triumphant premiere of her ambitious new operatic work, «L'Écoute du perdu», co-presented this month by Le Vivier, Musique 3 Femmes, and Ensemble Paramirabo at Fonderie Darling ↯↯ nichemtl.com/2023/02/05/per…

“It starts with the idea of turning a radio on. You’re lost in noise — the noise of space, the noise of silence — looking for a signal, and you tune into this signal.” nichemtl.com/2023/02/05/per…

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Warhol’s films Cinémathèque QC aren’t easy viewing. They force spectators to look at the medium as much as the message; they’re distant as much as they are intimate. nichemtl.com/2023/02/12/a-s…

Clara Driscoll’s Tiffany & Co. stained glass lamp and Ray Eames's iconic pieces of office furniture reveal the discursive sites that historically served as women’s points of entry into the arts. Read a new 999 Words on Parall(elles), on now at MBAM ↯↯ nichemtl.com/2023/02/19/and…

The reason they call spirits ‘spirits’ is because there is a powerful spiritual essence in there. It can take any form, any gender, any identity — it is fluid, after all. nichemtl.com/2023/02/25/mee…

An expanse of twinkling lights stretches out in the distance and Ellis is struck as if for the first time by the inconsequence of his own existence nichemtl.com/2023/03/04/tim…

Read a fascinating niche interview with Nelson Henricks whose tandem installations, Don't You Like The Green of A and Heads Will Roll, are on view at the @macmtl↯↯ nichemtl.com/2023/03/08/alw…

On next year’s red carpet, will every Oscar nominee be draped in a Dior diaspora?nichemtl.com/2023/03/14/the…

Leonard Cohen's 1992 song entitled “The Future,” from the album of the same name, is a blunt indictment of the tortuous human path he foresaw. “Things are going to slide,” Cohen growls ominously in the chorus; “slide in all directions.” nichemtl.com/2023/03/22/eng…

On Friday, March 24th, on a neighbourhood walk after a long week, I took a cup of tea and headed down St. Paul. I found myself standing on the corner from which the building’s skeleton was still visible. nichemtl.com/2023/03/28/che…

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Kate Bush was one of Martini's earliest inspirations: “I just fell in love with her taste for cacophony,” he says, “and key changes, and time signature changes, and narratives that weren’t about falling in love at the club.” nichemtl.com/2023/04/09/bon…