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Cops, robbers, and veterans of war in the American mythos, by way of Michael Mann, John Frankenheimer, and the Hughes brothers. Robert Rubsam writes on THE ORDER and DEN OF THIEVES. mubi.com/en/notebook/po…

"I don’t concern myself with building a brand. If I had to sum up my driving force in one word, it would be curiosity." Genre auteur Takashi Miike meets Blake Simons to discuss queer subtexts, a changing industry, and winning a fight in one minute or less.mubi.com/en/notebook/po…

We're thrilled to see Issue 5 of our print magazine win a prestigious D&AD (D&AD) Wood Pencil — a prize celebrating the best of the year in advertising, design, craft, culture and impact.⁠

"... his latest feels like the project he has spent his entire career working toward; it’s his fiercest, loudest cry for justice yet." Leonardo Goi writes on Jafar Panahi’s #Cannes2025 Palme d’Or winner + HEADS OR TAILS?, RESURRECTION, and more. mubi.com/en/notebook/po…

Critics Inney Prakash, Daniel Kasman, Elena Lazic, Daniella Shreir, Leonardo Goi, Nicolas Rapold, Mark Asch and Vadim Rizov tell us just one moment from this year’s #Cannes2025 that they won’t soon forget. mubi.com/en/notebook/po…

Join us Wednesday June 4 for a special screening of Sophie Calle and Greg Shephard’s DOUBLE-BLIND, the first installment in a series programmed by the editors of Notebook.⁠ ⁠ 7pm at BAM Film, with special guests Kit Zauhar and Kaitlyn A. Kramer. bam.org/film/2025/mubi…

"If Muratova’s films are set against typical Soviet backdrops... I question whether romance between comrades can be anything but a love triangle with the state, the collective?" Revisit Steffanie Ling on the early films of Kira Muratova. mubi.com/en/notebook/po…

"Whereas French and Italian poster illustrators routinely signed their work and were treated as artists, it was almost unthinkable for their American counterparts to do so... But Thomas Hart Benton was no studio grunt." MoviePosteroftheDay writes on lithographs commissioned from the

"At this limit, Lund’s aesthetics blur into politics: an extreme, subjective commitment to overturning oneself to overturn society." With HOT TICKET streaming on Le Cinéma Club, revisit Peter Goldberg on the brilliant, brief career of Zoë Lund. mubi.com/en/notebook/po…

"I’ve simply faced each piece head-on, without fear of failure or of betraying expectations. That’s how I intend to continue. I don’t concern myself with building a brand. If I had to sum up my driving force in one word, it would be curiosity." Takashi Miike to Blake Simons:

Issue 7 of our print magazine, “Threshold of the Visible” is organized around the theme of “the unfilmable.” Featuring contributions from Guy Maddin, Bilge Ebiri, Kevin Jerome Everson, and cover photograph from artist-filmmaker Deborah Stratman (commissioned for our series

This year at Cannes, we again invited a select group of discerning attendees to submit their ballots, assigning certain superlatives to the films they saw in the course of the festival. mubi.com/en/notebook/po…

"Film becomes a medium for Calle to control her motives and their effects; in arranging the images and words of what “happened,” she lands on something personal—something real." Ahead of tonight's screening, revisit Kaitlyn A. Kramer on DOUBLE-BLIND: mubi.com/notebook/posts…

"Heist films confuse all manner of seemingly distinct categories. Secure sites become places of great instability, freighting everyday tasks—running errands, withdrawing cash—with real danger. These divisions get even blurrier when the culprits are veterans who turn the home

My Cannes Film Festival cartoon for Notebook / is now available as a limited edition print in the MUBI shop: shop.mubi.com/products/noteb…

"Hondo put his cinematic project in service of a decolonial and anti-statist praxis of Black liberation, crafting a radical counter-image of the people of the African diaspora as the protagonists of history." Matene Toure writes on the cinema of Med Hondo.mubi.com/en/notebook/po…

Actor Hans Crispin has disclosed that he stole a complete workprint of Jerry Lewis’s unreleased Holocaust comedy, THE DAY THE CLOWN CRIED, and has held a copy in a bank vault since 1980. Discover this week’s essential film finds in the latest Rushes. mubi.com/en/notebook/po…

"What constitutes “realism,” when reality itself has changed so vastly, so comprehensively? The elasticity of the term is the defining quality of Jia [Zhangke]’s filmography..." Mark Asch on CAUGHT BY THE TIDES. mubi.com/en/notebook/po…