the cinematography of Good Luck, Have Fun, Don't Die (2025)

I LOVE BOOSTERS is Boots Riley’s EEAAO. Funny, unpredictable, and wholly original. Takes a million swings left and right. Contains all the radicalism you would hope to see, but goes a step further by showing us a path forward. Riley reminds us that there’s much to be angry about,

I Love Boosters: Absurdist anti-capitalist flak cannon that hits way more often than not — really blown away by how much this is buoyed by in-camera miniatures, stop-motion, and production design. Genius to have all its exposition delivered by stoner Eiza González. #SXSW2026

#NowWatching

READY OR NOT 2: HERE I COME is everything I hoped for and then some. Matt Bettinelli-Olpin and Tyler Gillett deliver the ideal kind of sequel — one you can love just as much as the original, but for some different reasons.

Ready or Not: Here I Come (2026) - same game, new players, even more gore. There’s no better sisterly trauma bonding than avoiding a cabal of wealthy satanists, and Radio Silence sure knows how to play to their crowd. How blessed are we to have David Cronenberg, the actor. #SXSW

Ready or Not 2: Here I Come cranks the energy up to 100. It is even wilder and more over the top than the first film. This is a high energy crowd-pleaser, and if you loved the original, you can bet your ass you will love this one too. The bride is back in a sequel that is a total

READY OR NOT 2: HERE I COME — or SENTIMENTAL VALUE (Radio Silence's Version) — is a bloodier, sillier, and funny as hell remix of the predecessor that I lowkey enjoyed more?? It's Radio Silence operating on peak camp and exercising more sister drama from their Scream days with

Matt Johnson knows to make a great film. While it's becoming more and more apparent he's in his comfort zone for writing characters, the dude handles tone so well. Funny when it wants, but strikes gold when it turns into the paranoid thriller it wants to be. Great stuff, dude

no matter how bad the movie is i'll never walk out that cinema

Power Ballad is absolutely sublime. John Carney has done it again! A genuine crowd pleaser with real emotion, heart and a phenomenal soundtrack. This might be one of Paul Rudd’s greatest performances of all time. It will hard to top this film as the best one to come out of SXSW.

POWER BALLAD is why I love John Carney movies. Funny at all the right moments but packs such an emotional punch. Paul Rudd and Nick Jonas should maybe just be a rock duo in real life

Power Ballad isn’t too different from the rest of John Carney’s filmography, but his latest music focused uplifting drama is a really lovely charmer with a beautiful song at its core and an ending that hits all the right notes. Also a fun, little Once shout that made me smile.

Mike & Nick & Nick & Alice (2026) - Gabinski’s time-machine-fueled inverse of Mikey & Nicky is an absolute riot. HK-esque slow shutter speeds, debates about Gilmore Girls, and gut-busting gunfights. An absolute disservice to moviegoers, this film isn’t playing in theaters. #SXSW

MIKE & NICK & NICK & ALICE plays with the time travel premise with such a dumb, laid-back attitude. It often makes these tangents where it gets distracted with itself, and for the most part, I had a good time. Surprisingly, the best parts were the moments of genuine emotional

Mike & NICK & Nick & Alice is a good old action packed, buddy cop, time traveling insanely fun film. Vince Vaughn and James Marsden are so damn funny together! There are numerous HYSTERICAL Pop-Culture references that had myself and the audience scream laughing. #sxsw

#NowWatching - Sunshine

Alex Garland and Danny Boyle collaborating together to make another film

Best International Feature should've gone to It Was Just an Accident