“How bad must it be to be pain / instead of pain adjacent?” @EsmeHogeveen examines Chloë Lum and Yannick Desranleau’s video opera on chronic illness and the body, WHAT DO STONES SMELL LIKE IN THE FOREST? cleojournal.com/2019/08/23/sic…

“Impossible to be aware of the giant she was in the processes in becoming.” Meditations, Volume 3: Words as Sculpture, Their Shapes as Sound 2020 Performer : Emili Losier Camera : Philip Rose Costume Assistant : Catherine Joyal Set Assistant : Pierre Richardson

“If you Apay attention.” Chloë Lum & Yannick Desranleau Meditations 2020 HD video, sound Volume 2: Things Remember 7 min 20 s Performer : Allison Blakley Camera : Philip Rose Costume Assistant : Catherine Joyal Set Assistant : Pierre Richardson #meditations #videoart

Vexations Installation detail. 2014 Screen printed paper, rubber, wood, paper mâché, rope, paint, polyethylene film, pigment, pulleys, electrical cord, nets, found objects. 358 x 1176 x 445 cm Installation view at Access Gallery, Vancouver, Canada. #installationart

Chloë Lum & Yannick Desranleau Becoming Unreal 2018 Performance for Solo Voice and Object Perfomer: Xuan Ye #performanceart

The Lead Apron 2018 Solo performance for horn player, installation Performed by Sarah Wendt Lighting design by Karine Gauthier Recorded at the Black Box Theatre, Concordia University, May 3, 2018. #concordiafinearts #montreal

6 Laocoon-Inspired by greek tragedies, Lum & Desranleau’s piece questions the role whistleblowers play in today’s societies. #km3qds