catch me waxing lyrical about Angela Schanelec 🤍 🤍 🤍 before My Sister's Good Fortune and Dreamed Path Institute of Contemporary Arts on Saturday 13 and Tuesday 30 September >> ica.art/my-sisters-goo… ica.art/schanelec-the-…

Next Friday, our Long Takes series on Angela Schanelec kicks off with I Stayed in Berlin All Summer + Shorts, a selection of her early works that reveal an artist who, from the very start, was shaping cinema in her own voice & image. 🗓️ 12 Sep, 6:30pm 🎟️ rb.gy/s5ypic

Dóra Maurer's LEARNED SPONTAENOUS MOVEMENTS (1973)

“We are meant to understand that people have not so much forgotten, as have been willed to forget.” excellent, rigorous writing from Kaleem on Patricio Guzmán’s cinema @AnotherGaze anothergaze.com/great-motionle…

FIDback in hand and it looks *so* good! and so thrilled this little essay on Beatrix and bluish is in such wonderful writerly company 🐌

❤️‍🔥 Rafaela Bassili has written about Pia Frankenberg’s ‘idiosyncratic, irresistible characters’ with such beautiful understanding and insight @MUBINotebook mubi.com/en/notebook/po…

For Notebook, I wrote about Pia Frankenberg, an underseen German auteur whose movies I’m so glad to now know. Never Sleep Again is a gem––3 untethered women walk around recently reunified Berlin for 2 aimless days, wondering how to change their lives. mubi.com/en/notebook/po…

the Institute of Contemporary Arts focus on Pia Frankenberg continues tomorrow with the screwball comedy Burning Beds 🔥 here is Pia working with Raoul Coutard on set, creating its 'shabby yet colourful aesthetic' 🔧 more info and tkts >> ica.art/frankenberg-bu…

almost two years wiser 🙃 and back in Vienna with Notebook … do say hello if you’re around

We're back with two programmes! 'Six Times Woman: In the Shadow of a Dictatorship' in collaboration with Cinelimite, and a programme of three films about Palestine by Jocelyne Saab, and a feature documentary by Arab Loutfi Streaming free (but do donate!) another-screen.com

"Some want virgin forests from film festivals, waxing romantic about some ideal cinephile past in which the sequestered black box of cinema kept politics and economics out. Others feel an obligation, whether ethical or calculated, to make an appeal to the current world in crisis

"I am attracted to things; I think, yes, my films are probably very fetishistic." spoke with Lucile Hadžihalilović for @MUBINotebook 🩵👑 mubi.com/en/notebook/po…

Sitting down with Laura Staab, THE ICE TOWER director Lucile Hadžihalilović discusses adapting Hans Christian Andersen, the place of fetishism in her cinema, and the freedom of perspective and access to the unconscious that fairy tales allow. mubi.com/en/notebook/po…