The Daily Heller: #GeorgeTscherny, Modernist, 1924–2023 🌼 At 99 he lived a long, #creative, #productive and valued life. One of the few remaining #Midcentury #Modernists, he saw #design as #discipline. Read the full story on PRINT: l8r.it/yoYs

George Tscherny, 1924-2023 SVA/Glaser Archives School Of Visual Arts “He was a gifted designer, yes, but also a kind and decent man, a delight to know” archives.sva.edu/blog/post/geor…

The Daily Heller: Leo Lionni in Three Acts printmag.com/daily-heller/t…

The Daily Heller: Radoslav L. Sutnar, Who Kept His Father’s Genius Alive, Dies printmag.com/daily-heller/t…

in 2024, the website is set to undergo a significant expansion, introducing an array of new content and features. I'm excited to share that, in light of these developments, I've recently introduced an annual membership option. This addition is designed to streamline account

The Daily Heller: Elaine Lustig Cohen’s New Website 🖥️ Tamar Cohen devotes a #website to the #legacy of her mother, Elaine Lustig Cohen—painter, #collagist and one of the first #women #graphicdesigners to run her own studio. Read the full story on PRINT: l8r.it/O2MI

The Daily Heller: What Does Democracy Look Like? printmag.com/daily-heller/t…

The Daily Heller: What Does #Democracy Look Like? 🗳️ These #cautionary #ads were not just handsome pieces of #modernist #collage but calls to action and are #splendid examples of #graphicdesign in the #service of democracy. Read the full story on PRINT: l8r.it/b34e

The exhibition I curated, “Wonder City of the World,” New York Travel Posters - is now open at Poster House! Swann Galleries apple.news/AaugbqCy5SwKyA…

“I’m scared about being called an artist: this is because I don’t feel like one at all. I simply indicated or tried to indicate, a new graphic language and what I was able to express is the result only of experiences and errors”. [Franco Grignani, from an interview, 1964]

Support the archive for £1.99 a month to access exclusive members’ content. Subscriptions help grow the design collection and fund research, time and documenting the history of graphic design. designreviewed.com/membership/

We have some great news: Fred Troller Design is now funded on Volume and will be going to print! The response to the book has been wonderful to see – and we were determined to see this important and long-overdue title in print. With this in mind, having reviewed the

IBM Design Program, two-pocket folder, n.d. [1984]. IBM, International Business Machines Corporation, New York, USA. Front cover design by Paul Rand, “one of his favorite works.” (Heller, Paul Rand, p. 164).

SAFFA [Swiss Exhibition of Working Women], July 17 – September 15, 1958. Cardboard display. Design by Nelly Rudin, VSG/SWB (1928–2013).

Америка [America Illustrated], No. 125, March 1967. United States Information Agency (USIA), Washington, D. C. — Featuring the distinctive (now iconic) symbol designed by Lance Wyman.

Gutenberg & Company series, il Saggiatore, 1969-1973, art directed by Anita Klinz. Cover illustrations by Pierluigi Cerri. Seeking Beauty – Anita Klinz: Pioneer of Modern Book Design is now funding at vol.co/collections/se… #anitaklinz #uniteditions

The Daily Heller: #Supergraphics #Supernova Barbara Stauffacher Solomon Dead at 95 🛑 On May 11, The New York Times published an #obituary about a #pioneer of #graphicdesign who many may not have known about. Read the full story on PRINT: l8r.it/Btq9

looks excellent! Penrose 1964-73 by Graham Taylor Kickstarter kickstarter.com/projects/18574…

CALLING ALL CROWDFUNDERS I’ve just heard news that there’s the prospect of a wonderful new design monograph in the pipeline... ‘Penrose 1964-73: The Herbert Spencer Years’ is a limited edition book that brings together the best of Penrose, taken from the years that Herbert