Flow stitched into the past.

.metaclass and I have been working on Raster for +6 months now We've absorbed a lot of complexity and distilled it into a simple, powerful product that we believe can change the digital art space for the better Still a few details to work through, but expect a proper

Gm 🍅 "Fortitude"

lost in code

art belong where linguistics now sits in cognitive inquiry: not as a catalog of preferences but as a laboratory for the conditions of possibility of human understanding.

Emily Kraus built a system that inverts the traditional choreography of painter and medium. She engineered a cube-like structure using struts that function as rollers, around which she looped raw canvas. This captures a spontaneous, rhythmic mark making on her canvas Kraus

Taste isn't a "preference." It's the output of a generative grammar you can't consciously access.

The feeling of "beauty" is not mystical. It's the satisfying hum of your brain effortlessly processing a complex pattern. It's the pleasure of a smooth, successful computation.

Duchamp's urinal is the greatest legal brief ever written in the court of aesthetics. It made no argument with form or beauty, but with the institutional rules of the game itself. He didn't make an object; he found a loophole.

The most revolutionary art doesn't introduce a new style. It introduces a new basis of evaluation, forcing everyone to reconsider the rules of how art is judged in the first place.

You can't be "argued into" liking something. A critic can give you the historical context and point out the formal patterns, but they can't force your brain to run the computation that results in the feeling of resonance.

congratulations Rosa Mǝnkmɐn & ulrike gabriel 🔥 what a great exhibition!🔥 <image as interface> ✌️NEORT x panke.gallery #digitalart #tokyo

“Beauty is just fluency.” Beauty is not metaphysical essence; it’s the mind parsing complex structure with high efficiency—“operator fit” that yields smooth affective trajectories.

. “Ugliness is an IOU.” •A difficult truth, a confrontational stance—then ugliness repays the debt. •What looks like “bad” form may be an intentional investment in higher-level resonance

Recursive Meltdown #42 minted by zancan 🌿 / Got Mint ? Read/Write Failure - Disappointment 22 left for minting on EditArt 🔥 💻

I have a dream — to exhibit in offline galleries. I know that it takes more than just individual works. It requires a project, a series. That’s why I’m now working on bringing my paintings together into a single story. I want to share my artistic life — not only finished works,

analog + machine generativity, now in the collection of Barcelona’s MACBA.

Once in a while you come across a piece that you feel in your bones instantly... That happened here. Flow and Divide by Vaila My

If you’re a Synthetic Bloom holder and would like an early look at Worn Currents, please ping me and I’ll send you the preview.