Dr Sara Pennell 💙 (@historysara) 's Twitter Profile
Dr Sara Pennell 💙

@historysara

Curious & curiouser historian. Food, kitchens, recipes, material culture, the used & broken: love'em all. Views all my own -- take'em or leave'em. She/her

ID: 1269361556

linkhttp://www.greenwich.ac.uk calendar_today15-03-2013 10:09:47

19,19K Tweet

2,2K Followers

1,1K Following

Sophie Coulombeau (@smcoulombeau) 's Twitter Profile Photo

A proud day! Very honoured to have been involved, alongside many others, in producing this edition. It’s a treasure trove of relatively little-known & fabulously rich life writing shedding new light on late 18thc polite society, literary culture and relationships of all sorts.

thomas cauvin (@thomascauvin) 's Twitter Profile Photo

New Master in Digital and Public History at University of Luxembourg opens student applications on February 1, (Start in September 2024). #Master #Graduate #DigitalHistory #PublicHistory See the thread. C2DH_LU NCPH Public History Weekly (PHW)

REF 2029 (@ref2029) 's Twitter Profile Photo

Following the REF initial decisions consultation, we're announcing some updates - most importantly that the next REF will be REF 2029. This is in recognition of the complexities for HEIs in preparing for the exercise.

Following the REF initial decisions consultation, we're announcing some updates - most importantly that the next REF will be REF 2029. This is in recognition of the complexities for HEIs in preparing for the exercise.
Ruth Ahnert (@ruthahnert) 's Twitter Profile Photo

Honoured to have contributed to this excellent book edited by Andrew Prescott and @alisonwiggins 'Archives Power, Truth, and Fiction'. Can't wait to read the other contributions, they look amazing! global.oup.com/academic/produ…

Catherine Clarke (@cathamclarke) 's Twitter Profile Photo

What can the #Humanities bring to #AI? In this new paper Murray Shanahan & I explore the potential of #LLMs as assistive tools in #creative writing. We evaluate the results from a literary critical perspective & from the standpoint of computational creativity. arxiv.org/abs/2312.03746

Collingwood-Norris (@collingwoodnorr) 's Twitter Profile Photo

I’m in Edinburgh this weekend with my own pop up shop at Maeve (45-47 Barclay Place) open 10-5.30 Saturday and 1-5 Sunday! #edinburgh #popup #knitwear #scarves #visiblemending #book #sustainablegifts

I’m in Edinburgh this weekend with my own pop up shop at Maeve (45-47 Barclay Place) open 10-5.30 Saturday and 1-5 Sunday! 

#edinburgh #popup #knitwear #scarves #visiblemending #book #sustainablegifts
Beat Kümin (@beatkumin) 's Twitter Profile Photo

New in our CEME series - Monika Barget takes a fresh look at the political implications of 18thC uprisings from a media perspective: bloomsbury.com/uk/uprisings-i…

New in our CEME series - Monika Barget takes a fresh look at the political implications of 18thC uprisings from a media perspective: bloomsbury.com/uk/uprisings-i…
Michael Pearce (@restalrig) 's Twitter Profile Photo

A warrant for £70 payable at Goldsmith's Hall to Mrs Christian [Edward alias] Inglis, at Sunderland 11 April 1644 (SP 46/106 f.146), her father was Nicol Edward of the Banshee Labyrinth on Niddry Street

A warrant for £70 payable at Goldsmith's Hall to Mrs Christian [Edward alias] Inglis, at Sunderland 11 April 1644 (SP 46/106 f.146), her father was Nicol Edward of the Banshee Labyrinth on Niddry Street
Dr Isabella Rosner (@isabellarosner) 's Twitter Profile Photo

Thinking about John Craske, a Norfolk fisherman who started embroidering after contracting influenza while fighting in WWI. His doctor suggested he embroider to occupy himself. These are from the Dereham Heritage Trust, The Red House, and Norwich Castle Museum

Thinking about John Craske, a Norfolk fisherman who started embroidering after contracting influenza while fighting in WWI. His doctor suggested he embroider to occupy himself. These are from the Dereham Heritage Trust, The Red House, and Norwich Castle Museum
Dr Sara Pennell 💙 (@historysara) 's Twitter Profile Photo

Visiting this was one of my highlights of 2023. The exhibition also focuses on the conundrums of conserving such a complex artefact, & at one point even questions whether it will be possible to preserve it for perpetuity. A great & honest admission on the part of its curators.

Joseph Hone (@josephhone_) 's Twitter Profile Photo

FUNDED PHD: Four years of AHRC funding for a project on the suppression of the underground press in Restoration England, in collaboration with the Stationers' Company. Please pass on to any interested MA students or grads. jobs.ac.uk/job/DEW494/ahr…

Dr Sara Pennell 💙 (@historysara) 's Twitter Profile Photo

What gems Michael Pearce sees! The quince paste inboxes reminds me of the Ham House inventory with such boxes listed in the (still-surviving) stillroom. Was Mistress Young an upper servant, I wonder?

louiseowusu (@louisekwarteng) 's Twitter Profile Photo

This is going to be an exciting discussion. Really looking forward to seeing @April_LouP Cannot put down 'Babygirl You've got this'. 🤜🏾🙏🏾👌🏿 Join us next Friday at the British Library. Uni of Greenwich ICE_greenwich Humanities & Social Sciences @UniofGreenwich UoG BAME eventbrite.co.uk/e/in-conversat…