Gal Beckerman(@galbeckerman) 's Twitter Profileg
Gal Beckerman

@galbeckerman

Senior editor for books at @TheAtlantic, formerly @nytimesbooks, and author, most recently, of "The Quiet Before: On the Unexpected Origins of Radical Ideas."

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linkhttp://www.galbeckerman.com/ calendar_today12-05-2009 07:57:30

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The Atlantic(@TheAtlantic) 's Twitter Profile Photo

These eight cookbooks are titles you will want to read front to back, writes Xena Worrier Princess. Each is written with care and enthusiasm, not just for the practice of cooking but for the experience of eating. theatlantic.com/books/archive/…

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Gal Beckerman(@galbeckerman) 's Twitter Profile Photo

'A certain type of person will tell you that they read cookbooks like they do novels.'

Killer list from Xena Worrier Princess

theatlantic.com/books/archive/…

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David Frum(@davidfrum) 's Twitter Profile Photo

.Michael A. Cohen (NOT TRUMP’S FORMER FIXER) has an important article in @theAtlantic about western progressives who deny mass rape by Hamas terrorists. theatlantic.com/ideas/archive/… It should be read in conjunction with Gal Beckerman piece on Fanon, who hailed rape as revolutionary praxis theatlantic.com/books/archive/…

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Jennifer Senior(@JenSeniorNY) 's Twitter Profile Photo

George Packer's review of Salman Rushdie's 'Knife' is exceptionally good. You can tell that Packer started his career as a novelist and still has one in him: theatlantic.com/books/archive/…

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The Atlantic(@TheAtlantic) 's Twitter Profile Photo

The idea for which Salman Rushdie nearly died is the freedom to say what he wants, George Packer writes:

“Rushdie survived, but he has too many scars to be certain that the idea will. This book is his way of fighting back.” theatln.tc/boxyhyKB

The idea for which Salman Rushdie nearly died is the freedom to say what he wants, George Packer writes: “Rushdie survived, but he has too many scars to be certain that the idea will. This book is his way of fighting back.” theatln.tc/boxyhyKB
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Gal Beckerman(@galbeckerman) 's Twitter Profile Photo

'Why do some species reside comfortably within our circles of concern, while others squat shivering beyond the firelight, waiting for us to welcome them in?'

Ben Goldfarb on Bill Wasik and Monica Murphy's new book, 'Our Kindred Creatures'

theatlantic.com/books/archive/…

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Ben Goldfarb(@ben_a_goldfarb) 's Twitter Profile Photo

'Why do some species reside comfortably within our circles of concern, while others squat shivering beyond the firelight?'

For The Atlantic, I reviewed OUR KINDRED CREATURES, a thorough new book on the early history of the animal welfare movement.

theatlantic.com/books/archive/…

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Editorial Laertes(@LaertesEd) 's Twitter Profile Photo

Per Sant Jordi, paradeta al Passeig de Gràcia, entre Aragó i Consell de Cent, gairebé davant de la Casa Batlló, amb els companys i La Segona Perifèria . Veniu a veuren's!

Per Sant Jordi, paradeta al Passeig de Gràcia, entre Aragó i Consell de Cent, gairebé davant de la Casa Batlló, amb els companys #vibop_edicions i @SegonaPeriferia . Veniu a veuren's!
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The Atlantic(@TheAtlantic) 's Twitter Profile Photo

In his new memoir, Salman Rushdie describes the attack that nearly took his life, and reckons with the man who wielded the knife, writes George Packer. theatlantic.com/books/archive/…

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Gal Beckerman(@galbeckerman) 's Twitter Profile Photo

'His ability to survive as a writer and a human being depends on not forever being a man who was knifed.'

George Packer on Salman Rushdie's new memoir, 'Knife.'

theatlantic.com/books/archive/…

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The Atlantic(@TheAtlantic) 's Twitter Profile Photo

To Gal Beckerman, the strange and beautiful book 'The Children's Bach' is a striking picture of how ravaged a life can be when unmoored from any responsibility, and of how necessary it is to take care of others in order to feel whole. theatlantic.com/newsletters/ar…

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'A riveting study of a 'typical' 20th-century Irish family, one both destroyed and bound together by its secrets.'

Maggie Doherty on Clair Wills's new memoir, 'Missing Persons — Or, My Grandmother's secrets'

theatlantic.com/books/archive/…

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Ilana Masad(@ilanaslightly) 's Twitter Profile Photo

For The Atlantic, I wrote about six cult classics that I adore. As always, thank you so much to Emma Sarappo for the edits!

(*whispers* Please don't come at me about whether or not these are indeed cult classics? *whispers*)

theatlantic.com/books/archive/…

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The Atlantic(@TheAtlantic) 's Twitter Profile Photo

Helen Garner’s novels brilliantly evoke her generation’s embrace of freedom, but also show us the sad consequences, writes Judith Shulevitz: theatlantic.com/books/archive/…

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Gal Beckerman(@galbeckerman) 's Twitter Profile Photo

'It’s a fast, graceful dance. Point of view is passed from one character to another and back again, like a ballerina being spun from one dancer’s arm to the next.'

Judith Shulevitz on Helen Garner's mind-blowing novels.

theatlantic.com/books/archive/…

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Adrienne LaFrance(@AdrienneLaF) 's Twitter Profile Photo

Well, that was (by far) the coolest thing I have ever seen in my entire life. theatlantic.com/ideas/archive/…

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Jennifer Senior(@JenSeniorNY) 's Twitter Profile Photo

Can’t remember the last time a piece brought me so much outrageous pleasure. ⁦Gary Shteyngart⁩ is a national treasure. theatlantic.com/magazine/archi…

Can’t remember the last time a piece brought me so much outrageous pleasure. ⁦@Shteyngart⁩ is a national treasure. theatlantic.com/magazine/archi…
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The Atlantic(@TheAtlantic) 's Twitter Profile Photo

In January, Gary Shteyngart embarked on the inaugural voyage of the Icon of Seas. He shares what the experience taught him about life at sea, loneliness, and America in our May issue. theatln.tc/t6ooX4Hl

In January, @Shteyngart embarked on the inaugural voyage of the Icon of Seas. He shares what the experience taught him about life at sea, loneliness, and America in our May issue. theatln.tc/t6ooX4Hl
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