Just wanted to take a moment and share this Decolonize Palestine resource for anyone who wants to learn more about Palestine, Palestinian culture, and the Zionist myths created in Israel's inhumane efforts in colonization. decolonizepalestine.com

"[The film is] not a mechanical repetition of real-life events. It is a carefully framed, beautifully performed snapshot of a feeling." #LFF Review: Guy Dolbey (guy) on Sofia Coppola's PRISCILLA: bit.ly/3Q5pcEv

From all of us at Film Cred, we wish you a spooktacular Halloween full of horror films and good times 🎃🎃🎃 What scary movie do you have queued up for tonight???

"A balance of novel and nostalgic, [the film] manages to feel fresh while preserving a familiar style, score, and sentiment." #LFF2023: Katie Kasperson (katie) reviews Miyazaki's THE BOY AND THE HERON: bit.ly/3s7KyJr

Film Cred 💗 Marty! In honor of KOTFM, producer Thomas (Tomas Marinera) and guest John Patterson (AstroSlop) did a deep dive into Scorsese's renowned filmography. 🔊 on Patreon: bit.ly/49lYZdI

"Though Mescal does a fine job, it’s Bell, Foy, and Scott, in his first leading film role, who ultimately steal the show." #LFF2023: Katie Kasperson (katie) on Andrew Haigh's newest, ALL OF US STRANGERS: bit.ly/3tQOkXU

Is Marty the undisputed 👑 of the needle drop? On the latest episode of Revue, producer Thomas (Tomas Marinera) and guest John Patterson (AstroSlop) talk all things Scorsese. 🔊 on Patreon: bit.ly/49lYZdI

Wishing a Happy Birthday to Céline Sciamma. Revisit some pieces we've published on her work: Pauline Sauz (🤠) on PETITE MAMAN and healing your inner child: bit.ly/3Mx0mdZ Conor Cadigan on the tragedy of PORTRAIT OF A LADY ON FIRE bit.ly/2WoPOVl

Happiest of birthdays to one of the best to ever do it, an undisputed vanguard of cinema, good ol' Marty Scorsese. Check out our recent episode of Revue where we honor the King: bit.ly/49lYZdI

👋🏾 Hello! Film Cred is now back from our unexpected hiatus (and just in time for the tail-end of awards season)! We're in the middle of spring cleaning our inbox, but If you have old inquiries to bump or any fresh takes, please shoot us an e-mail! 💌 [email protected]

"Comparison may be the thief of joy, but Ethan Coen’s [film] may not offer much joy in the first place" Cory Stillman (cory stillman) reviews DRIVE-AWAY DOLLS: bit.ly/4bZbtJy

"It doesn’t reinvent the romantic comedy wheel, but it knows why the wheel was invented in the first place — for the silliness and overwhelming power of love." Megan Robinson (megan 🍏) reviews Meg Ryan's second directorial effort, WHAT HAPPENS LATER: bit.ly/3V2Kert

"Ironically, like all great films about race, they ask more questions than they answer, but [...] there’s plenty to ponder about how to show up for the people in your life." Kathy Li (Kathy) on AMERICAN FICTION and SHORTCOMINGS: bit.ly/4cfESyZ

New interview! Lili Labens (Lili) sat down with actor Ricky Whittle (Ricky Whittle) to chat about his role in William Eubank's LAND OF BAD, stepping into a new genre, and bonding with his co-stars. LAND OF BAD is now playing in theaters. bit.ly/3TvGVYt

"On the surface, it  promises some kind of intellectual or emotional debate but doesn’t actually leave any lingering questions." Guy Dolbey reviews Garth Davis’ soft sci-fi AI film, FOE: bit.ly/4cAh74T

"...the Grateful Dead’s lyrics is that they capture what it means to be alive. Our lives are never straight forward... We are merely making the paths we tread on as we go." Wanaka Yamasaki (notwonton) on the music supervision on FREAKS AND GEEKS: bit.ly/3vuT7Qa

"On its original release, Coppola described The Conversation as 'a modern horror film.' Fifty years on, it remains haunting, powerful, and disturbingly contemporary." Johnny Restall (@JohnnyRestall) on Francis Ford Coppola's THE CONVERSATION: bit.ly/3PRfgiv

"Dastmalchian absolutely slays... His persona of a charismatic on-screen host is pitch perfect, and his subtle performance of a man dealing with grief showcases so much depth." Jamie Arena (JAMIE ARENA) reviews LATE NIGHT WITH THE DEVIL: bit.ly/4cIwU1E

"[...] deep-down, we all underestimate our capacity to hurt others... By studying the mean girl, we can study the nature of harm and how it spreads to others." Sarah John (SJ) asks an important question: Did Gen Z Kill the Mean Girl?: bit.ly/4bupMEF

"Annabeth was written as smart, stubborn, and a caring friend. That is why Annabeth been a black girl — because when I read the books I saw myself in her. I wanted to fight monsters." Kikelomo Sanni (Kike Sanni) on the racebending of Annabeth Chase: bit.ly/4ahSozT