Ezeiyoke Chukwunonso (@ezeiyokec) 's Twitter Profile
Ezeiyoke Chukwunonso

@ezeiyokec

Book: Nigerian Speculative Fiction: Evolution. Publisher: Routledge.
Currently writing a book on horror in Nollywood's films

ID: 940465364

calendar_today11-11-2012 03:25:35

646 Tweet

175 Followers

241 Following

Ezeiyoke Chukwunonso (@ezeiyokec) 's Twitter Profile Photo

So I am at that point my publisher is recommending that it is good if I get one to two endorsements for my book, any advice on how to do this šŸ¤”

ControlAI (@ai_ctrl) 's Twitter Profile Photo

OpenAI whistleblower Daniel Kokotajlo: Nearly half of the AI safety researchers at OpenAI have left the company. This includes the previously unreported departures of Jan Hendrik Kirchner, Collin Burns, Jeffrey Wu, Jonathan Uesato, Steven Bills, Yuri Burda, and Todor Markov.

OpenAI whistleblower Daniel Kokotajlo: Nearly half  of the AI safety researchers at OpenAI have left the company.

This includes the previously unreported departures of Jan Hendrik Kirchner, Collin Burns, Jeffrey Wu, Jonathan Uesato, Steven Bills, Yuri Burda, and Todor Markov.
Gibson Ncube (@gib_zzz) 's Twitter Profile Photo

Happy that the special issue of Science Fiction Studies on African sf which Ezeiyoke Chukwunonso, Peter J. Maurits, Ruth S. Wenske and I co-edited. You can read the special issue here: muse.jhu.edu/issue/53295

Peter J. Maurits (@maurits_peter) 's Twitter Profile Photo

We're so excited our African sf special issue is out @ #ScienceFictionStudies! Co-editors Gibson Ncube, Ezeiyoke Chukwunonso, Ruth Wenske, I, &the authors think about how to understand African science & speculative fiction in the context of global sf. Let me introduce: muse.jhu.edu/issue/53295

We're so excited our African sf special issue is out @ #ScienceFictionStudies! 

Co-editors <a href="/gib_zzz/">Gibson Ncube</a>, <a href="/EzeiyokeC/">Ezeiyoke Chukwunonso</a>, <a href="/noruthie/">Ruth Wenske</a>, I, &amp;the authors think about how to understand African science &amp; speculative fiction in the context of global sf. Let me introduce: muse.jhu.edu/issue/53295
Peter J. Maurits (@maurits_peter) 's Twitter Profile Photo

In the intro, we take (T.L.) Tendai Huchu's ā€œEgoliā€ (published by Wole Talabi (CONVERGENCE PROBLEMS out now) 2020) as archetypal African sf story, as it masterfully interweaves science fiction, legend, myth, and folklore, breaking down the boundaries between those forms in the process.

In the intro, we take <a href="/TendaiHuchu/">(T.L.) Tendai Huchu</a>'s ā€œEgoliā€ (published by <a href="/WTalabi/">Wole Talabi (CONVERGENCE PROBLEMS out now)</a> 2020) as archetypal African sf story, as it masterfully interweaves science fiction, legend, myth, and folklore, breaking down the boundaries between those forms in the process.
Peter J. Maurits (@maurits_peter) 's Twitter Profile Photo

Ruth Wenske suggests the concept of ā€œnon-human near-omniscienceā€, to describe narrators with super-human knowledge. Reading Nnedi Okorafor, PhDšŸ•·ļø's Lagoon, she shows how these narrators draw on African animist traditions characterized by relationality more than by absolute power.

<a href="/noruthie/">Ruth Wenske</a> suggests the concept of ā€œnon-human near-omniscienceā€, to describe narrators with super-human knowledge. Reading <a href="/Nnedi/">Nnedi Okorafor, PhDšŸ•·ļø</a>'s Lagoon, she shows how these narrators draw on African animist traditions characterized by relationality more than by absolute power.
Peter J. Maurits (@maurits_peter) 's Twitter Profile Photo

Gibson Ncube describes how African sf rejects past/future dichotomies by shaping sf through African cosmologies, which he conceptualizes as "Speculative sankofaration". He draws on (T.L.) Tendai Huchu's ā€œEgoliā€ & Olofinlua's "The Last Brown Roof" (published by Omenana speculative fiction magazine).

<a href="/gib_zzz/">Gibson Ncube</a> describes how African sf rejects past/future dichotomies by shaping sf through African cosmologies, which he conceptualizes as "Speculative sankofaration". He draws on <a href="/TendaiHuchu/">(T.L.) Tendai Huchu</a>'s ā€œEgoliā€ &amp; Olofinlua's "The Last Brown Roof" (published by <a href="/OmenanaMag/">Omenana speculative fiction magazine</a>).
Peter J. Maurits (@maurits_peter) 's Twitter Profile Photo

@JoannaWoods06 Woods suggests metal’s malleability as metaphoric for African sf’s ability to undergo/withstand rupture and re-formation, as it (re)makes itself in conversation with Afrofuturism/Africanfuturism/Africanjujuism. She draws on Andrew Miller and Namwali's work.

@JoannaWoods06 Woods suggests metal’s malleability as metaphoric for African sf’s ability to undergo/withstand rupture and re-formation, as it (re)makes itself in conversation with Afrofuturism/Africanfuturism/Africanjujuism. She draws on <a href="/miller_aka/">Andrew Miller</a> and <a href="/namwalien/">Namwali</a>'s work.
Peter J. Maurits (@maurits_peter) 's Twitter Profile Photo

@amaznmegan discusses @yungdeadthing's Freshwater as realistic narrative, thus foregrounding African (Igbo) ontology in a world that often invalidates such cosmology, and offering an agential queer futurism that connects the human/non-human in kinship.

@amaznmegan discusses @yungdeadthing's Freshwater as realistic narrative, thus foregrounding African (Igbo) ontology in a world that often invalidates such cosmology, and offering an agential queer futurism that connects the human/non-human in kinship.
Peter J. Maurits (@maurits_peter) 's Twitter Profile Photo

Marta Mboka Tveit explores the concept of "meshwork ecologies, discussing Mame Bougouma Diene’s ā€œHell Freezes Overā€ (in AfroSF) & Athi-Patra Ruga’s Azania series. Sustainable futures she writes, are central to African sf: it registers the environmental ethos of African ways of life.

Marta Mboka Tveit explores the concept of "meshwork ecologies, discussing <a href="/mame_bougouma/">Mame Bougouma Diene</a>’s ā€œHell Freezes Overā€ (in <a href="/AfroSF/">AfroSF</a>) &amp; Athi-Patra Ruga’s Azania series. Sustainable futures she writes, are central to African sf: it registers the environmental ethos of African ways of life.
Ezeiyoke Chukwunonso (@ezeiyokec) 's Twitter Profile Photo

PhD assessment is subjective. When I failed my viva, the chapter the assessors asked me to get rid of was the same chapter the series editors that acquired the work for Routledge read & requested the full manuscript. Failing my viva was never the fault of my supervisors 1/2

Yvette Lisa Ndlovu (Publishing Updates Only) (@lisa_teabag) 's Twitter Profile Photo

Reminder the AfroSurrealism special issue opens to submissions next week on April 15! Calling all poets & prose writers, send us your worlds that slip between the mundane & the uncanny,the ghostly & the futuristic. Can’t wait to read themšŸ™‚ strangehorizons.com/wordpress/non-…

Ezeiyoke Chukwunonso (@ezeiyokec) 's Twitter Profile Photo

Finally, my book, 'Nigerian Speculative Fiction: Evolution', is out. Thanks to everyone, especially to Chloe Germaine, Dr Sarah Ilott, Bodhisattva C, Taryne Jade Taylor, Mark Bould and the two anonymous reviewers for your support. You can order a copy at routledge.com/Nigerian-Specu…

Finally, my book, 'Nigerian Speculative Fiction: Evolution', is out. Thanks to everyone, especially to Chloe Germaine, <a href="/Dr_Ilott/">Dr Sarah Ilott</a>, <a href="/bodhisatvac/">Bodhisattva C</a>, <a href="/TaryneTaylor/">Taryne Jade Taylor</a>, Mark Bould and the two anonymous reviewers for your support. You can order a copy at routledge.com/Nigerian-Specu…