“There’s something very powerful about one person standing on stage, holding a story with just their body and voice,” says Hoe Hui Ting. “There’s nowhere to hide, but also a lot of freedom.” eksentrika.com/buka-solo-perf…

Curious what original music from Malaysia’s homegrown talents sound like? Find out at EJKLS Seni’s Homegrown Live 2 gig series. Learn more 👇🏽 eksentrika.com/homegrown-live…

Adelia Khalid's 'Mary/am' follows three girls at a Perak convent school who question perfection, faith, and expectations. Competition strains friendship until an imperfect nun shows up.

Faridah Merican, Patrick Teoh and Anne James elevate Joe Hasham’s play God’s Waiting Room with warmth, charm and truth. eksentrika.com/gods-waiting-r…

Victoria Navina, a public health professional and the curator-in-chief of Kuala Lumpur Reads, shares why the urban reading community continues to thrive without the use of incentives. 📚 Read her full essay! 👇🏽☺️ eksentrika.com/kuala-lumpur-r…

Azam Arifin advocates a simple, bolder theatre habit for Malaysian artists and audiences: attend productions in languages you don’t speak. eksentrika.com/cultivating-pl…

RE: GERAK – WHEN MOTION REMEMBERS features 8 dance performances by choreographers Yunus Ismail and Murni Omar. eksentrika.com/contemporary-d…

RE: GERAK – WHEN MOTION REMEMBER is a contemporary dance work by ASWARA’s Dance Faculty, that probes Malaysia’s future heritage. Learn more! 👇🏽☺️ eksentrika.com/contemporary-d…

Of Grief & Leaf by Lia Tjokro is a poetic reflection on grief and the necessity of letting go. eksentrika.com/of-grief-leaf-…