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BEST WISHES TO ALL is "a modern parable for our capitalistic society, where our only hope for achieving contentment is to exploit before we’re exploited." Zachary Lee reviews @shudder's latest thriller: rogerebert.com/reviews/best-w…

"It’s hard to understand how a romantic drama about tolerance could be so tone-deaf and ungenerous." Simon Abrams reviews the next chapter in Dag Johan Haugerud's trilogy of tales of Norwegian intimacy, SEX: rogerebert.com/reviews/sex-no…

"A superb example of pop cultural translation that freshens up the clichés of the sports corruption thriller and gives the actors and filmmakers a chance to flex their considerable skills." MZS reviews Iranian boxing thriller TATAMI: rogerebert.com/reviews/tatami…

Indie cult thriller HOUSE OF ABRAHAM "delivers its rites with a hollow center," says peyton danielle. rogerebert.com/reviews/house-…

"What makes the documentary so fascinating is its refusal to reduce Ride to a single narrative." @geekgirlriot reviews Cristina Constantini's sensitive documentary about the first American woman in space, SALLY: rogerebert.com/reviews/sally-…

"HELL MOTEL's self-serious tone, plodding pace, and lack of a central lead keep this horror thriller series from living up to its potential as a worthwhile genre destination." Rendy Jones reviews the new @shudder original series: rogerebert.com/reviews/hell-m…

Off the back of this year's Tribeca Film Festival, Peter “I’m Not Patti Smith” Sobczynski goes through a wide swath of documentaries, from deep dives into musicians' careers to sports controversies to LGBTQ+ issues. rogerebert.com/festivals/trib…

Reviewed Shudder's new limited series, Hell Motel for RogerEbert.com. It's a murder mystery where horror influencers are slashed at a notorious hotel that's been revived. Fun concept, but it's too self-serious, and in need of a Hercule Poirot-like anchor. rogerebert.com/reviews/hell-m…

"[Jesse] Maple and her team succeed in giving us a compelling self-portrait of Harlem, which is still a pretty rare thing to see." @geniusbastard reviews the recently restored 1981 feature WILL, a lost gem of Black cinema: rogerebert.com/reviews/will-1…

We're thinking of Roger Ebert — a trailblazing critic, pure Chicagoan, and one of moviegoing’s greatest champions — today on what would’ve been his 83rd birthday. We miss you, Roger! 💙

On May 23rd, @fieldnotesbrand debuts their one-day Field Notes Film Festival at Music Box Theatre, showing 25 to 30 of the company's own short films and honoring the analog nature of their work. CORTLYN KELLY reports: rogerebert.com/festivals/fiel…

Our coverage of this year's Tribeca Film Festival continues with a comprehensive look at the narrative features, courtesy of Peter “I’m Not Patti Smith” Sobczynski: rogerebert.com/festivals/trib…

“DOGTOOTH is like a car crash. You cannot look away.” - RogerEbert.com The breakout second film from director Yorgos Lanthimos (POOR THINGS, THE KILLING OF A SACRED DEER) returns to the big screen in stunning new 4K from @kinolorber! Opens Friday! ifccenter.com/films/dogtooth…

"Roger never lost his wide-eyed awe at what could be experienced, not just through the lens of a camera." Chaz reflects on her late, great husband Roger, the man to whom this site's existence is indebted, on what would have been his 83rd birthday. rogerebert.com/tributes/happy…

Danny Boyle's long-awaited zombie sequel 28 YEARS LATER "is a deeply earnest film, a picture whose sincerity is initially off putting until it’s endearing," says Robert Daniels. rogerebert.com/reviews/28-yea…

"Within the first two minutes of EVERYTHING'S GOING TO BE GREAT I found myself laughing aloud, quickly charmed by the immediate honesty and awareness that a theater kid of any age exemplifies," writes CORTLYN KELLY of the Bryan Cranston-starring dramedy. rogerebert.com/reviews/everyt…

Rebel Wilson-starring action comedy BRIDE HARD "makes it easy to grab your girls, some snacks (or drinks), and enjoy a little fluffy fun at the cinema," says @The CurvyCritic. rogerebert.com/reviews/bride-…

Horror-tinged mockumentary FOUND FOOTAGE: THE MAKING OF THE PATTERSON PROJECT is "a deliciously unhinged mix that works more often than it doesn’t," writes Travis Hopson. rogerebert.com/reviews/found-…

Kathleen Chalfant is "a revelation" in the moving drama FAMILIAR TOUCH, as reviewed by jourdain searles. rogerebert.com/reviews/famili…

Craig D. Lindsey calls the Amrit Kaur-starring dramedy THE QUEEN OF MY DREAMS "a well-intentioned but tonally all-over-the-place look at how frustrating things can get when you’re a queer Muslim trying to live your best life." rogerebert.com/reviews/queen-…