Bristol Film & Television (@bristolftv) 's Twitter Profile
Bristol Film & Television

@bristolftv

The Department of Film & Television, University of Bristol

ID: 3223982627

linkhttp://www.bristol.ac.uk/film/ calendar_today30-04-2015 09:17:46

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Arts Matter Bristol (@uobartsmatter) 's Twitter Profile Photo

๐Ÿ“ฝ๏ธ The Cinema Rediscovered festival returns to Bristol 24-28 July at Watershed and venues across the city Expect over 60 screenings & events of restored films from around the world To celebrate, here are a few of our favourites involving Bristol Film & Television colleagues ๐Ÿงต watershed.co.uk/cinema-rediscoโ€ฆ

Stephen Morgan (@stemorgs) 's Twitter Profile Photo

As Bristol Black Horror Club and I look forward to kicking off our JEFF BARNABY: THE ART OF FORGETFULNESS mini-retrospective at Cinema Rediscovered this weekend, I wrote a little primer on Native horror for BFI: bfi.org.uk/features/whereโ€ฆ

Arts Matter Bristol (@uobartsmatter) 's Twitter Profile Photo

'Alma Harโ€™elโ€™s direction and storytelling is visually ingenious and keenly paced' Dr Helen Piper (Bristol Film & Television) reviews the new Apple Original murder mystery, Lady in the Lake, for The Conversation theconversation.com/lady-in-the-laโ€ฆ

Isaac_kh (@isaac_kh) 's Twitter Profile Photo

Watched the amazing pouring water on troubled oil by Nariman ๐Ÿ‡ต๐Ÿ‡ธ About Dylan Thomas' time in Iran in 1951 before the protests which led to the election of Mosaddegh Has the incredible Dylan's Thomas quote: "The rich are rich. Oilโ€™s oily. And the poor are waiting."

Watched the amazing pouring water on troubled oil by <a href="/nazmassoumi/">Nariman ๐Ÿ‡ต๐Ÿ‡ธ</a> 

About Dylan Thomas' time in Iran in 1951 before the protests which led to the election of Mosaddegh

Has the incredible Dylan's Thomas quote:

"The rich are rich. Oilโ€™s oily. And the poor are waiting."
Beth Morris (@_bamcreate) 's Twitter Profile Photo

Day 3 of Cinema Rediscovered began with a really interesting short film Pouring Water on Troubled Oil. All about Dylan Thomas being asked to write a script for Anglo-Persian Oil and what he saw in Iran. Narrated by Michael Sheen and a great q&a afterwards with director Nariman Massoumi

Day 3 of <a href="/CineRedis/">Cinema Rediscovered</a> began with a really interesting short film Pouring Water on Troubled Oil. All about Dylan Thomas being asked to write a script for Anglo-Persian Oil and what he saw in Iran. Narrated by Michael Sheen and a great q&amp;a afterwards with director Nariman Massoumi
Nariman ๐Ÿ‡ต๐Ÿ‡ธ (@nazmassoumi) 's Twitter Profile Photo

Huge thanks to Cinema Rediscovered for screening my short film Pouring Water on Troubled Oil yesterday, and to Mark Cosgrove for the post-screening chat & Q&A. Thoroughly enjoyed the discussion. Looking forward to attending the rest of the festival!

Huge thanks to <a href="/CineRedis/">Cinema Rediscovered</a> for screening my short film Pouring Water on Troubled Oil yesterday, and to <a href="/msc45/">Mark Cosgrove</a> for the post-screening chat &amp; Q&amp;A. Thoroughly enjoyed the discussion. Looking forward to attending the rest of the festival!
Dr Carol O'Sullivan (@carol_osullivan) 's Twitter Profile Photo

This event was even more brilliant than Blood Quantum. From Cherry English has really interesting things to say to Irish films like Fluent Dysphasia and Yu Ming Is Ainm Dom

Stephen Morgan (@stemorgs) 's Twitter Profile Photo

Will need a few days to put into words just how utterly brilliant Cinema Rediscovered has been. Sharing Jeff Barnaby's films with such an open and willing audience has been an absolute honour and privilege, and to do it alongside the utterly magnificent Adam Murray has been truly special.

Watershed (@wshed) 's Twitter Profile Photo

We have another @myworldcreates Fellowship in residence, this time with our friends at Aardman. Find out more and how to apply on our website. watershed.co.uk/jobs-opportuniโ€ฆ

Brigstow Institute (@hellobrigstow) 's Twitter Profile Photo

Join Dhek Bhal, University of Bristol BRistol Medical School (BRMS) Research Bristol Film & Television for a celebration of working together to make health research more inclusive. Hear perspectives on health research from the South Asian community group in #Bristol and learnย about co-producing film. tickettailor.com/events/universโ€ฆ

Join Dhek Bhal, <a href="/BristolUni/">University of Bristol</a> <a href="/Brms_Research/">BRistol Medical School (BRMS) Research</a> <a href="/BristolFTV/">Bristol Film & Television</a> for a celebration of working together to make health research more inclusive.
Hear perspectives on health research from the South Asian community group in #Bristol and learnย about co-producing film.

tickettailor.com/events/universโ€ฆ
@BristolFrench (@frenchuob1) 's Twitter Profile Photo

Congratulations to Dr Leonie Gschwendtberger who has won the SFPS Essay Prize for 'Beyond "the Human": The Refusal to Show the Other in Trinh T. Minh-ha's Film Reassemblage'! With thanks to her supervisors Albertinef Siobhรกn Shilton & Nariman Massoumi

Arts Matter Bristol (@uobartsmatter) 's Twitter Profile Photo

Finally, Dr Jimmy Hay introduces a screening of All Of Us Strangers, starring Andrew Scott, Paul Mescal, Jamie Bell and Claire Foy, before opening the floor for discussion of the film ๐Ÿ—“๏ธ Sat 12 Oct, 3.30pm ๐Ÿ“Œ Plaza Cinema ๐ŸŽŸ๏ธ Link below Bristol Film & Television superculture.org.uk/listings/good-โ€ฆ

Bristol Film & Television (@bristolftv) 's Twitter Profile Photo

Announcing our first Flashback Film Club of the year: Ed Wood (Tim Burton, 1994). This Friday, 3PM, in the 5th floor cinema. Free to attend, just show up!

Announcing our first Flashback Film Club of the year: Ed Wood (Tim Burton, 1994).

This Friday, 3PM, in the 5th floor cinema. Free to attend, just show up!
Dr. Jacqueline Ristola (@j_ristola) 's Twitter Profile Photo

It's finally out! My first bit of research I did for my PhD has now been published in TV & New Media: โ€œEvery Time I Move My Arm, it Costs the Cartoon Network 42 Bucksโ€: Remixing Limited Animation in Space Ghost: Coast to Coast. journals.sagepub.com/doi/10.1177/15โ€ฆ