Wayne Kerr (@baggerlikes) 's Twitter Profile
Wayne Kerr

@baggerlikes

Made this account to follow art.

ID: 1571528257954058241

calendar_today18-09-2022 15:55:28

766 Tweet

28 Followers

476 Following

Heavy Metal Magazine (@heavymetalink) 's Twitter Profile Photo

Heavy Metal #3 on sale in comic shops and newsstands now! Cover 1A by Luis Royo Luis Royo Cover B by Chet Zar Chet Zar Cover C by Augustin Allessio We've crafted an amazing second issue! Creators include WAY$HAK Michael W Conrad 🗿 Anna Morozova Leah Moore @johnreppion

Heavy Metal #3 on sale in comic shops and newsstands now! Cover 1A by Luis Royo <a href="/LuisRoyoOficial/">Luis Royo</a> Cover B by Chet Zar <a href="/ChetZar/">Chet Zar</a> Cover C by Augustin Allessio  We've crafted an amazing second issue! Creators include
<a href="/WAYSHAK/">WAY$HAK</a> <a href="/michaelwconrad/">Michael W Conrad 🗿</a> <a href="/_annamorozova/">Anna Morozova</a> <a href="/leahmoore/">Leah Moore</a> @johnreppion
Heavy Metal Magazine (@heavymetalink) 's Twitter Profile Photo

Cavewoman is a long-running comic series created and illustrated by Bud Root, debuting in 1993. Blending prehistoric adventure, pulp fantasy, and pin-up aesthetics, the series follows a strong, feral heroine navigating a brutal primeval world filled with dinosaurs, rival tribes,

Cavewoman is a long-running comic series created and illustrated by Bud Root, debuting in 1993. Blending prehistoric adventure, pulp fantasy, and pin-up aesthetics, the series follows a strong, feral heroine navigating a brutal primeval world filled with dinosaurs, rival tribes,
Heavy Metal Magazine (@heavymetalink) 's Twitter Profile Photo

When Lobo stopped being just a character and became an absolute icon of extreme comics, much of the credit went to Simon Bisley. In the early ’90s, his hyper-muscular, grotesque, and over-the-top art reshaped the Last Czarnian, pushing him to the very edge of satire, violence,

When Lobo stopped being just a character and became an absolute icon of extreme comics, much of the credit went to Simon Bisley. In the early ’90s, his hyper-muscular, grotesque, and over-the-top art reshaped the Last Czarnian, pushing him to the very edge of satire, violence,