Edwin Morgan Trust (@edmorgantrust) 's Twitter Profile
Edwin Morgan Trust

@edmorgantrust

Trust of the first Scottish poet laureate, Edwin Morgan. Biennial £20,000 prize for poets under 30 #EMPA2024. Grant scheme #TheSecondLifeAwards.

ID: 1113408010666295297

linkhttps://edwinmorgantrust.com/ calendar_today03-04-2019 11:48:50

4,4K Tweet

2,2K Followers

1,1K Following

Greg Thomas/Oo Press (@gregchthomas) 's Twitter Profile Photo

Found during research for mine and Julie Johnstone's selected edition of Edwin Morgan's concrete poetry: a vinyl version of his 1964 poem "Bees' Nest" on the wall Scottish Poetry Library, part of a concrete poetry exhibition that I curated at the library in 2012. Edwin Morgan Trust

Found during research for mine and <a href="/essencepress/">Julie Johnstone</a>'s selected edition of Edwin Morgan's concrete poetry: a vinyl version of his 1964 poem "Bees' Nest" on the wall <a href="/ByLeavesWeLive/">Scottish Poetry Library</a>, part of a concrete poetry exhibition that I curated at the library in 2012. <a href="/EdMorganTrust/">Edwin Morgan Trust</a>
Association for Scottish Literature (@scotlit) 's Twitter Profile Photo

The mile-high buildings flashed, flushed, greyed, went dark, greyed, flushed, flashed, chameleons under flak of cloud and sun… —Edwin Morgan, “Clydegrad” in CENTENARY SELECTED POEMS, Carcanet 2020 #Glasgow #Poem #SkyscraperDay 1/2 scottishpoetrylibrary.org.uk/poem/clydegrad/

The mile-high buildings flashed, flushed, greyed, went dark,
greyed, flushed, flashed, chameleons under flak
of cloud and sun…

—Edwin Morgan, “Clydegrad”
in CENTENARY SELECTED POEMS, Carcanet 2020
#Glasgow #Poem #SkyscraperDay 
1/2
scottishpoetrylibrary.org.uk/poem/clydegrad/
Association for Scottish Literature (@scotlit) 's Twitter Profile Photo

“the word Metropolis – even as I type it here I feel it – stirs my blood” Concrete Poetry & the Glasgow High Rises: how Glasgow’s post-war high-rise construction gave ‘concrete poetry’ its most site-specific connotation for Edwin Morgan #SkyscraperDay 2/2 thebottleimp.org.uk/2023/11/i-am-i…

Edwin Morgan Trust (@edmorgantrust) 's Twitter Profile Photo

It’s all beginning again. Dead leaves or spring it comes back, it begins 🍂 from ‘je ne regrette rien’ by Edwin Morgan, published in The Second Life (1968)

It’s all beginning again.
Dead leaves or spring
it comes back, it begins 

🍂 from ‘je ne regrette rien’ by Edwin Morgan, published in The Second Life (1968)
Edwin Morgan Trust (@edmorgantrust) 's Twitter Profile Photo

We’re so excited to be collaborating with The Alasdair Gray Archive to offer two great opportunities for a researcher and a creative to work on a project about Alasdair and Eddie Researcher call-out to be announced on Monday – watch this space!

Edwin Morgan Trust (@edmorgantrust) 's Twitter Profile Photo

One of the treasures in the Morgan archives at UofGlasgowASC: a typescript of ‘Opening the Cage’, EM’s variations of a quote by John Cage—‘I have nothing to say and I am saying it and that is poetry’—who was born #OTD, 1912. UoG Archives & Special Collections, MS Morgan P/2/2

One of the treasures in the Morgan archives at <a href="/UofGlasgowASC/">UofGlasgowASC</a>: a typescript of ‘Opening the Cage’, EM’s variations of a quote by John Cage—‘I have nothing to say and I am saying it and that is poetry’—who was born #OTD, 1912.

UoG Archives &amp; Special Collections, MS Morgan P/2/2
The Alasdair Gray Archive (@agrayarchive) 's Twitter Profile Photo

PLEASE SHARE🙏 Open Call: Research Commission AGA & Edwin Morgan Trust are looking for a post-graduate or early career researcher to create a multimedia portfolio of work that maps and examines cross-overs & connections in the lives, work & practices of Gray and Morgan. Particular

PLEASE SHARE🙏

Open Call: Research Commission

AGA &amp; <a href="/EdMorganTrust/">Edwin Morgan Trust</a> are looking for a post-graduate or early career researcher to create a multimedia portfolio of work that maps and examines cross-overs &amp; connections in the lives, work &amp; practices of Gray and Morgan. Particular
Dr Francesca Brooks (@frangipancesca) 's Twitter Profile Photo

Edwin Morgan's scrapbooks beautifully showcased on the cover of the latest issue of postmedieval . Thanks so much to the Edwin Morgan Trust & UofGlasgowASC for permission to use this image. You can read more here: link.springer.com/article/10.105… & here link.springer.com/article/10.105…

StAnza Poetry (@stanzapoetry) 's Twitter Profile Photo

Come and be a part of StAnza 🤗 We’re “the country’s leading poetry festival” according to The Times And we want submissions from you poets, musicians and artists. Be part of our diverse, energy-rich offer in St Andrews in March 2025 info 👇 stanzapoetry.org/take-part/arti…

Come and be a part of StAnza 🤗

We’re “the country’s leading poetry festival” according to The Times  

And we want submissions from you poets, musicians and artists. Be part of our diverse, energy-rich offer in St Andrews in March 2025  

info 👇
stanzapoetry.org/take-part/arti…
Edwin Morgan Trust (@edmorgantrust) 's Twitter Profile Photo

‘I loved you. You must know It was truly so, although As clay in clay you cannot catch my thanks, my steadiness, my lateness, my praise.’ ‘John I’ by Edwin Morgan, written in memory of John Scott, his partner of 16 years, who died in September 1978.

‘I loved you. You must know
It was truly so, although
As clay in clay you cannot catch my thanks, my steadiness, my lateness, my praise.’

‘John I’ by Edwin Morgan, written in memory of John Scott, his partner of 16 years, who died in September 1978.
Language and Literacy at GCC (@garnocklanglit) 's Twitter Profile Photo

S1 pupils put their research skills to work while studying #Hyena by #edwinmorgan #growth #research #poetry Mrs Hughes proudly displays their findings 🐾

S1 pupils put their research skills to work while studying #Hyena by #edwinmorgan #growth #research #poetry Mrs Hughes proudly displays their findings 🐾