e-flux (@e_flux) 's Twitter Profile
e-flux

@e_flux

e-flux is an international art network reaching more than 100,000 visual arts professionals

ID: 18130686

linkhttp://e-flux.com calendar_today15-12-2008 04:35:35

23,23K Tweet

113,113K Followers

2,2K Following

e-flux (@e_flux) 's Twitter Profile Photo

Recurring themes of belonging, displacement, and exile at Zürich Art Weekend prompt Orit Gat to reflect upon the new homes that art might make for the remnants of the past, and how they might be carried into the future. e-flux.com/criticism/6157…

e-flux (@e_flux) 's Twitter Profile Photo

Alenka Zupančič argues that contemporary scepticism towards science disavows the traumatic reality of capitalism. e-flux.com/notes/615033/s…

e-flux (@e_flux) 's Twitter Profile Photo

Jordan Strafer’s new film fictionalizing the trial of John F. Kennedy’s nephew is imbued with a Lynchean surreality, writes Stephanie Bailey, suggesting there’s nothing more American than violence without justice. e-flux.com/criticism/6160…

e-flux (@e_flux) 's Twitter Profile Photo

Miranda July loves you. She's also worried that she's irritating. Wendy Vogel reports from July's first major retrospective, replete with evidence of the intimate games she plays with her audience. e-flux.com/criticism/6163…

e-flux (@e_flux) 's Twitter Profile Photo

EDITORS' LETTER: How do our exhibition spaces reflect a cultural bias towards instant judgement, frictionless circulation, and corporate logic, ask the editors, and what does that mean for the museum as a space of thought, study, and reflection? e-flux.com/criticism/6172…

e-flux (@e_flux) 's Twitter Profile Photo

Taking its title from a Ladin myth and rooted in fictional narratives, the ninth Biennale Gherdëina connects improbable scenarios with real-life concerns, writes Novuyo Moyo. e-flux.com/criticism/6174…

e-flux (@e_flux) 's Twitter Profile Photo

e-flux is very pleased to announce the open call for submissions to the second edition of e-flux Film Award. Artists are invited to submit their short films by August 15, 2024 11:59pm ET. e-flux.com/announcements/…

e-flux (@e_flux) 's Twitter Profile Photo

We are delighted to announce the publication of the second issue of e-flux Index, available in print and digitally e-flux.com/announcements/…

e-flux (@e_flux) 's Twitter Profile Photo

Drawing on the origins of cinema in the prehistoric wall paintings of animals animated by flickering torches, Gabriel Chaile’s latest work suggests another revolution in our relationship to the nonhuman world, writes Filipa Ramos. e-flux.com/criticism/6180…

e-flux (@e_flux) 's Twitter Profile Photo

Bizet's "Carmen" offers rich picking for any artist interested in resistance, behavioural coding, and cultural appropriation. Yet Wu Tsang's version, notes John Douglas Millar, is too deferential to the original to be impactful. e-flux.com/criticism/6184…

e-flux (@e_flux) 's Twitter Profile Photo

Chantal Akerman wanted her work to capture “the physical experience of time unfolding inside you.” The celebrated filmmaker’s first major survey exhibition, writes Max Levin, does exactly that. e-flux.com/criticism/6191…

e-flux (@e_flux) 's Twitter Profile Photo

Do monuments commemorate the past or doom us to repeat it? Lauren O'Neill-Butler on Nina Sanadze's Melbourne survey, where statuary fragments are repurposed in ways that reflect on the present. e-flux.com/criticism/6193…

e-flux (@e_flux) 's Twitter Profile Photo

What can the Central Asian pavilions at Venice tell us, asks Nikolay Smirnov, about the pressures on artists from postcolonial countries to present themselves in ways easily legible to an art world preoccupied by identity? e-flux.com/criticism/6193…

e-flux (@e_flux) 's Twitter Profile Photo

Let’s meet in Vancouver! Hot off the press, e-flux Index #2 will debut at Vancouver Art Book Fair this weekend. e-flux.com/announcements/…

e-flux (@e_flux) 's Twitter Profile Photo

The installation of Jonas Mekas’s final film in a deconsecrated church brings a new affective power to its intertwined images of natural renewal and human catastrophe, writes Lukas Brasiskis. e-flux.com/criticism/6199…

e-flux (@e_flux) 's Twitter Profile Photo

On the day of the Olympics opening ceremony in Paris, the French rail network was "paralyzed" by sabotage attacks. This disruption and the language surrounding it starkly reflect Evan Calder Williams's essay, where he examines the figure of “paralysis.“ e-flux.com/journal/141/57…

e-flux (@e_flux) 's Twitter Profile Photo

Truong Cong Tung’s emotional, multidisciplinary installation establishes him as a formalist storyteller, writes Max Crosbie-Jones, exploring the earthbound histories and spiritual resonance of Vietnam’s Central Highlands. e-flux.com/criticism/6199…

e-flux (@e_flux) 's Twitter Profile Photo

Slavoj Žižek on the film version of Never Let Me Go (2010), “arguably the most depressing film I’ve ever seen.” e-flux.com/notes/620313/w…

e-flux (@e_flux) 's Twitter Profile Photo

There might be thousands of miles between Caragh Thuring and her subject of Mount Tamalpais but the gap is bridged by the painter’s playful, genre-bending, and allusive update of the tradition of landscape painting for our highly mediated age. e-flux.com/criticism/6201…

e-flux (@e_flux) 's Twitter Profile Photo

An ambitious and scholarly exhibition of experimental art from the former Eastern Bloc might alert US audiences, writes Ksenya Gurshtein, to the great diversity of styles and themes developed by artists in the region between the 1960s and '80s. e-flux.com/criticism/6203…