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'Approaching Storm.' (1911) Lawren Harris's paintings of Toronto between 1909 to 1926 form a very important part of his body of work. The patchy light that plays over this building is poetic in character, helping to animate the scene and to guide our experience of the picture.

Flattered ☺️

Good morning! This week's theme was London Rain 🌧 Take a look at the timeline over the last week for full details of these and the rest of the featured pieces.

As an alternative to Cecil Osborne's painting of "Sunday Morning, Farringdon Road" here's "The Scullery" by Walter Steggles from 1927. Along with all our ranges of cards & prints it is available with 40% off all orders until 03/08/25 here: eastlondongroup.co.uk #SundayMorning

This is your LAST CHANCE TO SAVE BRICK LANE! Sign the petition demanding HOMES not OFFICES on the Truman Brewery site before the council make their decision on Thursday 31st July: bit.ly/bricklanepetit…

'View from the Window.' (c1950) Margaret Green was a painter of narrative landscapes and figure compositions of subtle strength and quiet lives; she remained largely unknown to a wider public - a story familiar to many women artists of her generation.

The Brown House Hove Summer: watercolour from 2022

Figures in the city Isle of Dogs, London, 2025 Silver gelatin print #London #Docklands #IsleofDogs #streetphotography #people #woman #figure #solitary #city #urban #urbanlandscape #sidewalk #pavement #street #town #apartments #flats #tree #pollard #sunlight #shadows #winter #bnw

Good morning! This week's theme is Decades: 1885-2025. ----- 'St. Paul's Cathedral from Ludgate Circus, London, England' (1885) by John Atkinson Grimshaw (Private collection)

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Good Day! Beach Break by Neil Pinkett Oil on Board (Private Collection)

On holiday in Cumberland in 1921,Dora Carrington painted two pictures of Watendlath Farm: a view of the moorlands behind the farmhouse, now at the Tate Gallery, London; and this painting which has the same stone-walled field and the three transfixed sheep in the foreground.

'Oxford Circus Underground Station' (1905) by Maxwell Ashby Armfield (Government Art Collection)

'The Stars Coming Out.' (1912) Sir George Clausen's painting was made near Widdington, near Saffron Walden in Essex, probably one chilly autumn evening. Out of very simple elements, he constructed one of the most perfect nocturnes, a picture that rivals those of Millet and Corot.

'From a window at night.' (1896) Towards the end of her life, Maria Yakunchikova wrote that her work from the late 1890s attempted to convey the fleeting preoccupations of other lives - 'the flashes of another world, the perception of which is blended into the landscape.'

This is "The Mill" by Phyllis Bray from 1933. It depicts a scene in Chalford in Gloucestershire. This is available as a greeting card &, along with our ranges of cards & Giclee prints, it is currently available with 40% off all orders until 03/08/25 here: eastlondongroup.co.uk

'Saturday', Peckham (1925) by John M Paramor (Southwark Heritage Centre)

In the years after her move to Cornwall in 1907 there was nowhere more inspiring to Laura Knight than the cliffs above the ocean at Lamorna and at Carn Barges along the coast. 'On the Cliffs,' (1917) depicts two girls seated at the cliff-edge enjoying the late afternoon sun.

In 1964, Keith Vaughan bought a row of derelict cottages in Essex close to the village of Toppesfield. The local hedgeless fields, open countryside, and agricultural buildings soon began to replace his interest in painting groupings of male figures.

'Everett F. Wells', Swan Hunter shipyard, Leslie Street, Wallsend, 1977, photo by Graham Smith.