A Netflix user will browse the app for 90 seconds and leave if they find nothing. Thumbnail artwork is actually NFLX's most effective lever to influence a viewer's choice. A user will look at one for only 1.8 seconds, so NFLX spends huge to optimize them. Here's a breakdown🧵

En l'any 1919, amb aquest gràfic, el pioner del disseny gràfic William Addison Dwiggins va expressar la seva opinió vers els estàndards de la impressió. #dwiggins #gavinetdecuriositats #dissenygrafic

One more brand design by AI (#gpt3 + #stablediffusion), prompt: "A sleek and modern portable synthesizer with analog controls for audiophiles on the go". Reran the typeface selection a couple of times.

Design is hard. But I’ve come to realize that laying out texts properly is 80% of what makes something look clean, and is the easiest thing you can do to make your design much nicer and more usable. Here are 10 practical tips for improving your text layout.

U8 — Hermannstraße. The greenish grid.

What do the Big Tech layoffs mean for designers? f-st.co/AVIwjsA

Helen Tran I still find myself coming back to this diagram from Noah Levin whenever that question comes up

Maravillosa iniciativa que debería replicarse en todos los ámbitos de la Administración 👇 El equipo de 'bichos raros' de Aragón que intenta que los trámites con la administración no sean una odisea #UX #UXDesign #ServiceDesign #ServicioPúblico #Aragón lavanguardia.com/tecnologia/202…

All roads lead to Rome A data visualization unveiling mobility patterns at a very large scale, created with routing algorithms on existing street infrastructure from the city to continent scale. These are 486,713 routes to Rome [Benedikt Groß: buff.ly/3ZIBSE2]

Cuando se tiene un conocimiento profundo de un problema, la solución resulta casi inevitable. El proceso de diseñar productos consiste principalmente en comprender el problema (80%) y luego ejecutarlo con excelencia (20%). Abrimos hilo 🧵 (1/4)

I've just posted an interview with the designer of the old VGC typeface Skin & Bones, Douglas F. Jones: marksimonson.com/notebook/view/…

Un buen consejo sobre el espacio en blanco (creo que todos hemos pecado de lo mismo alguna vez): ckarchive.com/b/27u2hohvz6x9…

One of my more underrated design tips is: you should *think* through your design as much as possible before operating any tool like Figma or Framer. Seems obvious, but I've seen countless designers spend hours drawing things when a few minutes of thinking would avoid all of

The ultra-modern design of Sony TR-1825 cube transistor radio (1970)

Fixed panels are so back, floating panels are out

Van a venir retos molones para los payment methods y los checkouts...

I’m looking through my Macintosh user guide (the booklet that accompanied my 1984 Macintosh) for the first time in a while, and I’m a little obsessed with this graphic explaining scrolling.

New form design tip: end with one thing per page. You may have heard of this rule: ➡︎ Start with one thing per page. This was first written about by designers Tim Paul and Caroline Jarrett. In case you’re not familiar, putting one thing (usually one field) on each page in a

I am just obsessed with this before/after flower shop UI from Bret Victor’s Magic Ink. "Many types of context can be naturally expressed in some informative graphical domain, relieving the user from manipulating information-free general-purpose controls." Published in 2006,

A new kind of power is emerging in culture: the identity industrialist. As synthetic humans become lifelike, identity itself can be manufactured, optimized, and scaled. Dave Snyder explores what this means for media, influence, and trust. designobserver.com/the-identity-i…