Vegard Waske (@waske) 's Twitter Profile
Vegard Waske

@waske

Manager @mandelbaummgmt @cashmerecat @bearsonmusic @digitalism TRXD + A&R consultant

ID: 31428893

linkhttp://www.mandelbaum.no calendar_today15-04-2009 15:09:42

1,1K Tweet

865 Followers

409 Following

Southpaw Swade (@southpawswade) 's Twitter Profile Photo

I don’t think people realize how much of this music stuff is just throwing things at a wall and seeing what sticks, even when money is involved.

DIGITALISM 🤖💻🎶 (@digitalism) 's Twitter Profile Photo

Finally out today! Our new single 'HIGHLIGHT' together with the amazing @Softeepopstar -- tune alert! 🚨☀️ --> magnetism.lnk.to/Highlight

Rob Abelow (@abelowrob) 's Twitter Profile Photo

JUST IN: Spotify finally raises US prices. $9.99 to $10.99 This is the 1st US premium price bump since the start, 12 years ago. Finally. 10% more for artists.

Ed Newton-Rex (@ednewtonrex) 's Twitter Profile Photo

I’ve resigned from my role leading the Audio team at Stability AI, because I don’t agree with the company’s opinion that training generative AI models on copyrighted works is ‘fair use’. First off, I want to say that there are lots of people at Stability who are deeply

SB Projects (@sb_projects) 's Twitter Profile Photo

So you can stop asking…EXCLUSIVE: SCOOTER BRAUN WANTED AND TRIED TO SELL TAYLOR SWIFT HER MASTERS. WHAT HAPPENED? musicbusinessworldwide.com/scooter-braun-…

Ed Newton-Rex (@ednewtonrex) 's Twitter Profile Photo

Synthetic data is often generated using models that were themselves trained on unlicensed, copyrighted work. Synthetic data is only a solution if the original training data used to create it was licensed. If not, using synthetic data is just data laundering.

Synthetic data is often generated using models that were themselves trained on unlicensed, copyrighted work.

Synthetic data is only a solution if the original training data used to create it was licensed. If not, using synthetic data is just data laundering.
Mike Epstein (@heymike) 's Twitter Profile Photo

1) amanda rose - A&R, Def Jam "My biggest takeaway from this year when it comes to finding and developing acts, is I would like to believe more of the industry is waking up to actually finding talent instead of looking at the numbers.

Kristin Robinson (@wordsbykristin) 's Twitter Profile Photo

Songwriters are feeling effects from the UMG TikTok ban: - songwriters (when a UMPG talent is involved) are being asked by nonUMG artists to not submit pub splits upon release - UMPG writers are being excluded from camps + sessions Read more: billboard.com/business/tech/…

IVE OFFICIAL (@ivestarship) 's Twitter Profile Photo

IVE THE 2nd EP < 𝐈𝐕𝐄 𝐒𝐖𝐈𝐓𝐂𝐇 > '해야 (HEYA)' MV youtu.be/07EzMbVH3QE #IVE #아이브 #2ndEP #IVE_SWITCH #해야 #HEYA #Accendio #아센디오 #해야_해야_해야_아이브볼때야 🐯

Ed Newton-Rex (@ednewtonrex) 's Twitter Profile Photo

It’s good to see generative AI companies moving towards licensing the training data they use. But it’s important that they license all their data, not just content from the big players who are most likely to sue them if they don’t.

Rachel Hardy (@rachelhardy306) 's Twitter Profile Photo

Does anyone know if there is any way to turn off AI or AI-related content on Spotify? I can’t listen to my discover weekly anymore because the amount of music it shows me with AI vocals drives me up the wall.

Ed Newton-Rex (@ednewtonrex) 's Twitter Profile Photo

Genuine question for Washed Out and Sub Pop Records records: how do you think about the possibility Sora was trained on copyrighted videos without consent? If this doesn’t concern you, is this a tacit acknowledgement that generative AI models can be trained on your music without your

Ed Newton-Rex (@ednewtonrex) 's Twitter Profile Photo

I’ve been approached by generative AI founders who want to train models responsibly (i.e. without scraping), but who are being told by potential investors that this will mean they will fall behind companies that aren’t bothering to be ethical, so they won’t invest. This is

David Israelite (@davidisraelite) 's Twitter Profile Photo

Spotify has launched a major assault on songwriters. Again. Remember last time when we won an overdue rate increase and Spotify did everything in its power to try to deny songwriters that victory? We fought and we won. It’s time to fight again.

Spotify has launched a major assault on songwriters. Again. Remember last time when we won an overdue rate increase and Spotify did everything in its power to try to deny songwriters that victory? We fought and we won. It’s time to fight again.
DAOuda (@daoudaleonard) 's Twitter Profile Photo

All these GenAI companies avoiding the direct answer to the questions of what was your model trained on are cowards. In back rooms they hide behind the notion of fair use, but in public lie or avoid the question. It’s despicable.

Daniel Kokotajlo (@dkokotajlo) 's Twitter Profile Photo

1/15: In April, I resigned from OpenAI after losing confidence that the company would behave responsibly in its attempt to build artificial general intelligence — “AI systems that are generally smarter than humans.” openai.com/index/planning…