Wallack Galleries (@wallackgallery) 's Twitter Profile
Wallack Galleries

@wallackgallery

Founded in 1954, Wallack Galleries remains one of Canada’s oldest commercial art galleries representing both figurative and abstract contemporary artists.

ID: 1129958504

linkhttp://www.wallackgalleries.com calendar_today29-01-2013 03:40:43

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"Halfway Between the Imaginary and the Real" is an exhibition of six contemporary Canadian artists concerned with the potential of imagination as a tool for understanding and working through our time. ow.ly/nviQ50JZlYG

"Halfway Between the Imaginary and the Real" is an exhibition of six contemporary Canadian artists concerned with the potential of imagination as a tool for understanding and working through our time.  ow.ly/nviQ50JZlYG
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Amanda Boulos's paintings are definitively uncertain, existing just beyond the eye in which fragments of cultural references synthesize. B ow.ly/pb5P50JZwOw

Amanda Boulos's paintings are definitively uncertain, existing just beyond the eye in which fragments of cultural references synthesize. B ow.ly/pb5P50JZwOw
Wallack Galleries (@wallackgallery) 's Twitter Profile Photo

Mac Lenters's practice across painting and digital animation demonstrate a fascination with the complexity of reality. Logic, transformation, and the sublime are conjured and communicated through his work. See Lenters's artwork July 25th. ow.ly/SO2M50JZHaE

Mac Lenters's practice across painting and digital animation demonstrate a fascination with the complexity of reality. Logic, transformation, and the sublime are conjured and communicated through his work.

See Lenters's artwork July 25th. ow.ly/SO2M50JZHaE
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Gillian King's works are concerned with the codependency of all living things. Gathering organic matter as pigment for her paintings, she connects ancient art practices with current methods to examine ideas of fragility and mortality. ow.ly/w5XR50JZyWi

Gillian King's works are concerned with the codependency of all living things. Gathering organic matter as pigment for her paintings, she connects ancient art practices with current methods to examine ideas of fragility and mortality.
ow.ly/w5XR50JZyWi
Wallack Galleries (@wallackgallery) 's Twitter Profile Photo

Emma White explores the relationship of people to environment. Working with ideas of landscape and space, she creates visions of landscapes that bear human and painterly intervention. See White's artwork July 25th ow.ly/WNBw50JZEGi

Emma White explores the relationship of people to environment. Working with ideas of landscape and space, she creates visions of landscapes that bear human and painterly intervention.

See White's artwork July 25th ow.ly/WNBw50JZEGi
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Paul Nadeau’s paintings are landscapes of socio-economic transition in rural Canada. Billboards, parking lots, and rural scenes painted from field research and online images examine the colonial extractive methods within Canadian industries and tourism. ow.ly/3IVo50JZCS1

Paul Nadeau’s paintings are landscapes of socio-economic transition in rural Canada. Billboards, parking lots, and rural scenes painted from field research and online images examine the colonial extractive methods within Canadian industries and tourism.

ow.ly/3IVo50JZCS1
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Andrews Beck's paintings are moments of frozen action like a story picked up in the middle with an uncertain past and future. See Beck's artwork and more in the Halfway Between the Imaginary and the Real show opening July 25th. ow.ly/tazp50JZGIh

Andrews Beck's paintings are moments of frozen action like a story picked up in the middle with an uncertain past and future.

See Beck's artwork and more in the Halfway Between the Imaginary and the Real show opening July 25th. ow.ly/tazp50JZGIh
Wallack Galleries (@wallackgallery) 's Twitter Profile Photo

Paul Nadeau’s practice highlights the colonial history of Canadian painting, seeking accountability in what is painted. See Nadeau’s artwork and more in the Halfway Between the Imaginary and the Real exhibition until Aug 12. ow.ly/P3yN50JZEjz

Paul Nadeau’s practice highlights the colonial history of Canadian painting, seeking accountability in what is painted.

See Nadeau’s artwork and more in the Halfway Between the Imaginary and the Real exhibition until Aug 12. ow.ly/P3yN50JZEjz
Wallack Galleries (@wallackgallery) 's Twitter Profile Photo

King's abstract paintings contain traces of her surroundings to position herself within local ecosystems. See King's artwork and more in the Halfway Between the Imaginary and the Real show until August 12. ow.ly/JZ1550JZBuh

King's abstract paintings contain traces of her surroundings to position herself within local ecosystems.

See King's artwork and more in the Halfway Between the Imaginary and the Real show until August 12. ow.ly/JZ1550JZBuh
Wallack Galleries (@wallackgallery) 's Twitter Profile Photo

Emma White's luscious paintings contain a longing and unfold a way of thinking through seeing. See White's artwork until Aug 12. ow.ly/uHF350JZFfn Artwork: "Going Nowhere Fast" - Oil on Arches Oil Paper, 30”x22,” 2022

Emma White's luscious paintings contain a longing and unfold a way of thinking through seeing.

See White's artwork until Aug 12. ow.ly/uHF350JZFfn

Artwork: "Going Nowhere Fast" - Oil on Arches Oil Paper, 30”x22,” 2022
Wallack Galleries (@wallackgallery) 's Twitter Profile Photo

Boulos's open-ended hybrid works speak to the vitality of history and oral traditions, asking what else these stories have to say. See Boulos's artwork and more in the Halfway Between the Imaginary and the Real show on until Aug 12. ow.ly/Fmen50JZCjK Artwork: KIN 9906

Boulos's open-ended hybrid works speak to the vitality of history and oral traditions, asking what else these stories have to say.

See Boulos's artwork and more in the Halfway Between the Imaginary and the Real show on until Aug 12. ow.ly/Fmen50JZCjK

Artwork: KIN 9906