I'd like to take the opportunity to thank everyone snagging pieces from the "Buy a Face" collection, and any other piece I've minted in my time here for that matter. I've been in this space for 4 years, and don't plan on leaving, because this is where I finally found a way of

When I asked Jeni Fulton, Head of Editorial at Art Basel, for advice on how to make it as an artist, she shared the following during yesterday’s session at the objkt labs Residency: Find your community. Network like crazy. Make your art practice easy to find.

What a great workshop with Jeni Fulton at the objkt labs residency. This rapid fire Q&A was exactly how it should be. Will the traditional art world embrace NFTs? "Sooner or later they will adopt this technology at least to keep track of provenance." I think this is a big

Ok, let's try this again: Mornin'! Let's talk about FACE#03 - HUMAN. I think this one came about as a bit of a weird joke, or moreso when compared to the others. Everybody's got these PFPs of cartoon characters, animals, anime girls etc... I though it'd be funny if we'd just

I'm Marine Bléhaut and this is what I create 🖤

I have just collected "Decaying Presence #05" by Shojiro Nakaoka 中岡 将二郎 on objkt labs 's exhibition "Proof of Presence" 🖤

FACES #02 and #03 are the only 1/1s left in the "Buy a Face" collection, released for objkt labs "Proof of Presence" exhibition. This collection is an unhinged exploration of what it means to have a face in the digital age, where you are what you post. These broken digital masks

Process: 🧵⌛️ When I first started developing this project (Where We Once Were) I knew visually I wanted to create something dark and ominous. Like a memorial that has been lost with memory and time . . .

Choosing the final images was much easier than in the other projects I have done. It was all about feeling and mood. Finding something that was in between sorrow and resilience and hope. This is my proudest work to date, and I have been so grateful that so many have collected

We are touching smooth screens to navigate our social lives. We are currently experiencing a new materiality of the social. → Two works form my "untitled gestures – Hello World!” series still available objkt labs first residency exhibition “Proof of Presence” Link: ↓↓↓

Collected. Such a cinematic series.

PART 3 of PROOF OF SALAWAKI 3/10 editions collected 💕 I found a trace of her in real life, turns out she had the same name of a beachside restaurant in Siquijor. I looked out the window and found her waving at me, I felt peace at that moment, and also found out that she is

ok, folks! Tomorrow I'll be joining the mighty Hackatao ♛ for an awesome conversation about punk rock, alchemy and art. This is gonna be really cool, so stay tuned. 😬😬😬

We are living in a new era of ☆*attention*☆ – one that calls for new ways of being addressed. Our exhibition "Proof of Presence" Art on Tezos curated by anika meier was a perfect example of this. It wasn’t about having all the works physically present in one place, but about

It is survival to desire connection, whether physical, digital, mental, or emotional. This series Cloth presents five silent, 5-second AI-generated micro-films set in crowded art spaces. In each scene, a strange ectoplasmic substance slips from open mouths and noses, manifesting

FACE#02 - Red head: 1/1 200xtz FACE#05- Mysterious internet figure: 3/10 eds. Left 25xtz a pop Last two faces available from the Buy a Face collection. Get yourself a new virtual face and support a weird artist. 😬