NYCAesthetic (@nycaesthetic) 's Twitter Profile
NYCAesthetic

@nycaesthetic

Beauty in all its diversity. All photos by Justin Brunelle unless noted otherwise.

ID: 840190298

calendar_today22-09-2012 18:05:03

1,1K Tweet

88,88K Followers

73,73K Following

NYCAesthetic (@nycaesthetic) 's Twitter Profile Photo

A stunning work from Hong Hong, ā€œComposition for Gravity in the Void.ā€ Made from mulberry bark, color, sun, dust, water, repurposed paper, and hair, at the wonderful Sarasota Art Museum, SarasotaArtMuseum. #Travel #Beauty

A stunning work from Hong Hong, ā€œComposition for Gravity in the Void.ā€  Made from mulberry bark, color, sun, dust, water, repurposed paper, and hair, at the wonderful Sarasota Art Museum, <a href="/art_sarasota/">SarasotaArtMuseum</a>.  #Travel #Beauty
NYCAesthetic (@nycaesthetic) 's Twitter Profile Photo

The contrasting color, angularity and frame of Matisse’s Still Life with Apples (1916) at the Fogg Museum is positively arresting. @harvardartmuseums

The contrasting color, angularity and frame of Matisse’s Still Life with Apples (1916) at the Fogg Museum is positively arresting.  @harvardartmuseums
NYCAesthetic (@nycaesthetic) 's Twitter Profile Photo

Many colorful geometric forms seen in Chelsea galleries last week; Douglas Melini at Miles McEnery, Sean Scully at Cheim & Read, Keltie Ferris at Mitchell-Inness & Nash, Joan Snyder from the Shah Garg Collection.

Many colorful geometric forms seen in Chelsea galleries last week; Douglas Melini at Miles McEnery, Sean Scully at Cheim &amp; Read,  Keltie Ferris at Mitchell-Inness &amp; Nash, Joan Snyder from the Shah Garg Collection.
NYCAesthetic (@nycaesthetic) 's Twitter Profile Photo

The Abolitionists in the Park, 2020-2022, Oil on canvas, by Nicole Eisenman is inspired the Occupy City Hall movement in 2020.

The Abolitionists in the Park, 2020-2022, Oil on canvas, by Nicole Eisenman is inspired the Occupy City Hall movement in 2020.
NYCAesthetic (@nycaesthetic) 's Twitter Profile Photo

The Manet/Degas exhibition at The Met is educationally enriching but the most stunning feeling I had was walking out of the show down the long hallway towards the contemporary galleries facing a Giacometti portrait, realizing just how portentous modernism had become in 100 years.

The Manet/Degas exhibition at The Met is educationally enriching but the most stunning feeling I had was walking out of the show down the long hallway towards the contemporary galleries facing a Giacometti portrait, realizing just how portentous modernism had become in 100 years.