Residence in Sopuerta, Spain by Tas Careaga & Carlos Garmendia Get Inspired, visit myhouseidea.com #myhouseidea #interiordesign #interior #interiors #house #home #design #architecture #decor #homedecor #casa #archdaily #beautifuldestinations

Now there’s an interior.

Hidden in a pine forest in northern Germany, like the Grimm Brothers’ fabled gingerbread house, is the extraordinary Kunststätte Bossard, a multidisciplinary and visionary work of art created by Swiss artist Johann Michael Bossard the-world-of-interiors.visitlink.me/d3isGK

This is good.

The offices of the a Gulbenkian Foundation are a perfect time capsule. Almost like a Brutalist doll’s house.

There’s moving house and then there’s really moving house. Having lived in Nairobi for 50 years, Per Geheb found himself surrounded by high-rises. So he packed up his prefab house and moved it – along with his vast collections – down the road the-world-of-interiors.visitlink.me/DJy5IZ

They don't have one of my favorite images from this house in the story ... the kitchen design-is-fine.org/post/529466560…

Wastebasket. Donald Deskey. 1928.

Zaha Hadid Architects. Henderson. Hong Kong.

TWA Terminal Interior NY... Eero Saarinen... #architecture #arquitectura #interior #EeroSaarinen #Saarinen #TWA

Why would you want your room to look like virtual reality?

Organic interiors! Free to read from edwin heathcote HTSI

The marble steps at the Hôtel National des Arts et Métiers in Paris — imo, the most beautiful staircase constructed in modern time

Casa Butantã , Paulo Mendes da Rocha, São Paulo, Brazil,1970. #architecture #archinerds

Very taken with this adorable SPAN Doll’s house someone is making. (instagram.com/span.dollhouse…)

Site furniture. Doha.

Soviet brutalist architecture explored: the ultimate guide | Wallpaper wallpaper.com/architecture/s…

#CerithWynEvans ‘Borrowed Light Through Metz’ is now open at Centre Pompidou-Metz (until 14 April 2025). This exhibition marks the artist’s first large-scale solo exhibition in France since 2006, transforming the Centre Pompidou-Metz into a poetic, sensorial garden. ‘Borrowed Light

'Mother and Child', Hampstead (1903) by William Rothenstein (Tate)