Everest In your opinion, does the expressive use of face-tracking technologies in art/entertainment (e.g. interactive video mirrors, face filters) normalize the instruments of carceral surveillance capitalism

A key theme I see in this election is an America that still refuses to take climate breakdown seriously. The party of longstanding open denial gaining house seats and remaining very much alive, Miami doubling down on the denier-in-chief even as its climate drowning accelerates...

Nation waits breathlessly to see if candidate who leads by four million votes will win.

Excited to announce that we at UC Davis are hosting @shannonmattern , Brian House , and Yuriko Furuhata for a conversation on the multiple, interlocking registers of cities and computers. Please consider joining us on Friday, Dec 4, 9 am PT. Register at ucdavis.zoom.us/meeting/regist…

In 2009 @esesms and I recreated Diego Maradona's infamous "Hand of God" goal at MOCA with Enrique A. Gutiérrez, RIP to an inspiration like no other brianhouse.net/works/trying_t… #maradona #handofgod #ripmaradona

The one night I got to call Maradona's hand of God goal, multiple times. #Legend #Maradona #RIP

Golan Levin i simply wish these tools were built to provide an understanding of the millions of delicate entangled human threads that go into each generated image, rather than laundering input through a series of permutations so opaque it is eventually called non-human

multitudes.bandcamp.com/track/ox

Artists Annie Aries, Brian House, and Marcel Zaes present their sound installation "Metric Displacement" as part of the Swissnex in San Francisco Beyond 2020: A (Post-) Pandemic Practice series on March 26 during the virtual exhibition's opening event. 👀Sign up here: swissnexsanfrancisco.org/event/metric-d…

On April 2, join us for ‘Displacements,’ a performance blending analog synthesizers, open source software, and resampled vinyl loops, synchronized from 3 separate locations across the globe. 🌏 RSVP: grayarea.org/event/displace…

rebroadcast of our set starting now:

In this new sound installation, created by artists Brian House and Ben Rubin, auditory representations of tree growth and glacial ice recession are simulated by algorithms. Listen to "Terminal Moraine" within the Elizabeth Scholtz Woodland Garden during your next visit to BBG.

Last week on Stream: ben grosser offered a token critique of #NFTs while Matthew Plummer-Fernández 🗿 hid one in a JPEG, Kate Crawford released an “Atlas of AI,” Abandon Normal Devices considered *abolishing* normal devices, and Ben Rubin & Brian House sonified an 18,000 year old glacier 🧊 holo.mg/stream/

I'll be at the Brooklyn Botanic Garden tomorrow (Sat) from 2-4pm representing #TerminalMoraine, new #ambisonic sound installation with Brian House -- stop by! Runs through June 6. Tickets: showclix.com/event/brooklyn…

Got some shade today Brooklyn Botanic Garden and finally checked out Brian House and Ben Rubin's dreamy "Terminal Moraine" installation, a sweetly serene setting for an unfolding sonification/simulation of trees growing and glaciers receding - absolutely my shit: bbg.org/visit/event/be…

people still get in my mentions a lot about the possibilities of [clean nfts for education] or the [next big proof of, idk, trying to tie coin ownership to tree planting or w/e] and here's the thing; the financialization of the world is simply not- and never will be- a good thing

The (infra)sound of the atmospheric pressure wave from the explosion of the Hunga-Tonga-Hunga-Ha'apai volcano in Tonga when it reached Mount St Helens in Washington State: instagram.com/p/CY4sFweg7JU/