"Someone, eventually, is going to take a risk on a show they don’t have to invest heavily into. Maybe one that’s already made?" - Zack Morrison New on #PipelineArtists: pipelineartists.com/the-web-series… #ScreenwritingTwitter #PipelineWriters #scriptchat #screenwriter

Her TikToks will single-handedly destroy ever male writer in Hollywood.

Just tried to use the ASIC Connect website on my phone and it broke my brain. How does a federal government department website used by 1000s of people everyday think this is acceptable in 2023.

Random attacks with cans of hairspray are on the rise.

The news is always like: "America has banned wheelchair ramps because they weren't in the Bible. Finland has made ice cream free."

One of the originals. RIP Jane Birkin photographed by David Bailey for Vogue, 1965

Thanks Uri. BTW how's that spoon bending going?

I took 1 star reviews of #Barbie from furious men on letterboxd and put them on the posters because it makes the film seem ever cooler.

At school pick up this afternoon I heard one of the mothers telling another mother that she wanted to go to the movies over the weekend but didn’t because the Barbie movie was sold out and she didn’t like the look of “that bomb one”.

Poor Rita. She confused as to why there’s so many Chinese people in Sydney’s Chinatown.

When he was in his early 20s, Werner Herzog moved to Pittsburgh “because I had the sentimental notion that I wouldn’t be tied up with academic nonsense; I’d be in a city with real, down-to-earth people,” he writes. That “turned out to be a bad idea.” nyer.cm/b58rLx2

Sleeping Mud Maid', living sculpture created by UK artist Sue Hill (and collaborative partner Pete) at The Lost Gardens of Heligan, Cornwall, UK #WomensArt

With meditative vision, Joe Pease lifts the mundane into mystifying dreamscapes, revealing the uncanny beneath the ordinary. Through meticulous editing, he sculpts hypnotic loops where time drifts aimlessly, punctuated by subtly surreal moments.

Pease's concrete-hued vignettes compel closer looks, his deft illusions blending the banal and bizarre into oblique visual poetry. His work whispers that things are never quite what they seem, inviting us to ponder the enigma of routine moments.

California 1987 by Stephen Wilkes

“Thanks everyone for comments on the draft, here it is revised with all your edits.”

Does gen Z understand that the 80s wasn’t like Stranger Things, that in reality it was just this, all the time:

the art of noticing