HAL 9000 and Mother.

Statues in Megalopolis.

No Country for Old Men.

Subtle hint in the final chapter of David Fincher's The Killer as the protagonist closes in on his last target.

The Tell-Tale Heart, a 2008 short film adaptation of an Edgar Allan Poe story by Robert Eggers, and his second feature film, The Lighthouse.

Interview with Park Chan-wook on photography. artreview.com/park-chan-wook…

Rainy streets and black umbrellas. Probably one of my favorite shots in Nosferatu.

Two scenes, from 2001: A Space Odyssey and Under the Skin, that are mirror opposites of each other: a human being perceiving the alien, and an alien perceiving humanity.

Shot transition from Lars von Trier's 1980 short Nocturne, reused almost 30 years later in Antichrist.

Comparison between the English and German versions of the 1979 Nosferatu. Scene where Harker meets the Count. Werner Herzog filmed it in both languages.

Crash landing scene from On the Silver Globe. The film frequently uses a first-person perspective, presented as recordings made by the astronauts.

Journey to the castle from Nosferatu and Bram Stoker's Dracula. In both films, the protagonist is menaced by wolves along the way.

Storm clouds, metaphorical and literal, gather in Kiyoshi Kurosawa's 2024 film Cloud.

I've been shooting film lately. Phoenix 200.

The beginning of Tarkovsky's Solaris and the ending of Kurosawa's Dreams.

First contact in 2001: A Space Odyssey and Denis Villeneuve's Arrival.

My top 4 taken this year.