Amy E. Elkins
@amyeelkins
Associate Prof. of English | author of Crafting Feminism from Literary Modernism to the Multimedia Present (OUP: bit.ly/3GkwWNP) | she/her đ
ID: 248968184
https://amyelkins.net 08-02-2011 02:40:23
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Since MSA (Modernism) is next week, Iâd like to share! Later this year, Iâll be stepping in as editor of the M/mPrint+ feminist/queer theory forum âOrientations.â Gratitude to Janine Utell for leading the way with her tremendous work on this important & dynamic platform. More soon!
We are elated to share that Amy E. Elkins is taking the reins from @JanineUtell on our forum on feminist and queer modernisms, âOrientations.â Read her introduction on methods, messes and manifestos, âQueer âOrientationsâ as Counterblast Manifesto,â here: modernismmodernity.org/forums/posts/eâŠ
A poem from my new manuscript, "Maze," one of three in the summer The Sewanee Review, with thanks to the editors. Subscribe today: thesewaneereview.com
Modernists, as you make your plans for MSA this year, keep in mind my seminar with Claire Battershill and Sheryda WarrenerâMaking Creative Work Across Forms: Modernist Prompts and Provocations! MSA (Modernism)
Grateful to poet & friend Richie Hofmann for allowing me to make a poetry broadside for âIdyll,â my favorite cicada poem. A very limited run of only 30 numbered prints -signed by the poet- are for sale! $30 (+ $12 shipping in the U.S., $20 international). 9x12â. Msg to purchase â„ïž
Check out and support Amy E. Elkinsâs beautiful workâthis new broadside of my poem, âidyll,â in time for the cicada summer đȘČđȘČđȘČ
Created an Etsy listing for my broadside edition of Richie Hofmann "Idyll"--get yours today! etsy.com/listing/178383âŠ
New DEBORAH LEVY â preparing for press â Cover by Chris Bentham. Photograph by AgnĂšs Varda. Originally published in France by Ăditions du sous-sol Coming this November â
Delayed post here but Iâm thrilled to say that I defended my thesis last month Royal College of Art and passed my PhD. Retouching the Archive is a practice-led project on the role of women in the making of early photography 1780-1846. It combines archival research and contemporary art practice.