FLAMIN Artist Filmmaker Development Fund & workshop series for "early career moving image" art babes filmlondon.org.uk/resource/apply…

It has to be done.

📢JOB OPPORTUNITIES ALERT📢 We're recruiting Film Academy Young Programmers! We're looking for 10 young people aged 16-25 + based across the UK to help us shape & promote our 2021/22 programme. Read more + apply here: bfijobsandopportunities.bfi.org.uk But hurry, deadline is 14 May ⏰

I loved it. Zola

OUCH! Puberty’s been a hard journey for Lasanna, #HowToBeAPerson continues on YouTube 👉 youtu.be/6KWsCpw3gpY

Out tonight 6pm on our YouTube channel 🙌

How To Lose Your Virginity 🍆 #HowToBeAPerson, a short-form drama series inspired by real life teenage experiences. Watch on our YouTube now 👉 youtu.be/cZmj2jyI0HQ

How To Get An Abortion #HowToBeAPerson, a short-form drama series inspired by real-life teenage experiences. Watch on our YouTube now 👉 youtu.be/BfGLFAk6CMk

JOB ALERT: Eastenders are advertising for an Assistant Script Editor and a Story Editor…. 👇🏾👇🏾👇🏾 careerssearch.bbc.co.uk/jobs/job/Assis… careerssearch.bbc.co.uk/jobs/job/Story…

Simone Ashley is no stranger to rom-coms. So, what happened when we asked the 'Bridgerton' star to play a textbook rom-com heroine for a day? The answer involves nods to everything from 'Notting Hill' to 'Love Actually'. Watch the full film: youtu.be/iqIXvA602rc

New short for British Vogue written by yours truly 💖

We’re proud to launch Future Takes in partnership with Film4! We’re seeking applications for ambitious short form work from UK filmmaking talent, awarding up to £90,000 each to up to 7 projects. Apply by 13 Feb. #NationalLottery @BFINetwork theb.fi/3FXPip7

Appropriate this week #WGAStrong

This righ’ chere 👇🏾

"You are the funniest people in the world and the best dancers" How to be a Person wins the Short Form Programme BAFTA! #BAFTATVAwards with P&O Cruises

Talk to me niiiice, I am a BAFTA winning writer 🎖️🏅 Go watch How to be a Person on E4 & YouTube now ❤️ We worked so hard for this one 💕

“Squid Game” increased the value of Netflix by an estimated $900 million. It also made South Korean writer and director Hwang Dong-hyuk famous — but not rich. In his contract, he had forfeited all intellectual property rights and received no residuals. latimes.com/world-nation/s…

“We need to be clear about what’s happening in the industry: Studios are offloading the financial burden for development onto writers.” fastcompany.com/90918934/my-st… #WGAstrong #1u