Hacer el render de una animación de Raúl Ibarra es bien fácil, la composición, cámara, ritmos y poses son chulísimas de base! Primera vez que hago un render no fotorealista, he usado Blender EEVEE + Grease Pencil, con un poco de jueguitos en After Effects después :)

I couldn't be more proud of Laura Sirvent ❤️ This project she has participated in is wonderful in every way.

Laura can't stop being cool and has developed this web experience where you make this old man dance with a synthesizer/sequencer. Try it out! Laura Sirvent boss.laurasirvent.com

When I made this animation as a style test, I started flirting with stepped animation. There’s something about the texture it adds to the motion that I can’t get enough of.

Talking about stepped animation... Laura Sirvent and I teamed up for something a bit more cinematic and delicate this time. ✨ Overpriced Latte ✨

Looking back at this personal animation I made last year. It was a small project, but it reminded me how much I enjoy exploring motion and rhythm just for fun. Rendered beautifully by Laura Sirvent.

I forgot to post it here, but I wrote, but I wrote a bit about my first rolls of film from the GDC trip and shared some frames in a new post: San Francisco on Film croasan.com/2025/06/09/san…

Studying ICO's animation again reminded me how much subtlety can elevate a character. The organic timing and delicate motion work are just incredible, especially considering the era.

I play 90% of the time in handheld mode and this grip completely changes the experience (that and the anti-glare screen protector).

I watched Fumiko no Kokuhaku years ago and had totally forgotten about it. The way it conveys speed and vertigo through camera movement is amazing.

Speaking of great locomotions… the transitions in Inside feel incredibly organic. btw I still remember the tension in this scene like it was yesterday.

I’ve always been fascinated by Japanese magazines like Popeye and Brutus, so finding this special English issue with guides for exploring Tokyo made me ridiculously happy.

This scene in Paprika hit me like the moment you start falling in a dream. Satoshi Kon knows exactly how to play with my mind.

I keep coming back to David Dockery’s videos. They resonate with how I see the world, where every small gesture and conversation carries its own rhythm.