CREATe
@copyrightcentre
Researching the future of copyright, technology & markets/ Centre for Regulation of the Creative Economy @UofGlasgow #IPLaw #CompetitionLaw #PlatformRegulation
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http://www.create.ac.uk/ 11-10-2012 09:43:42
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🎉 New Working Paper 🎉 by Ruth Towse from Bournemouth Uni 🏫 Explore the evolving relationship between copyright, competition law, and economic incentives in the creative industries🌐 Read here 👇 create.ac.uk/blog/2024/07/1…
New article by our colleague Ula Furgał on the Kluwer Copyright Blog where she examines how the EU's Copyright in the Digital Single Market (CDSM) Directive impacts journalists' remuneration 💡 copyrightblog.kluweriplaw.com/2024/07/12/the…
Highlights from the 26th Annual Conference of LawCultureHumanities at University of British Columbia 🇨🇦 Andreas Giorgallis on protecting cultural heritage, Pınar Oruç on copyright vs. cultural property in digitisation, & Dr Elena Cooper on the UK Fine Arts Copyright Act 1862 Read more👇 create.ac.uk/blog/2024/07/1…
Our Deputy Director Kristofer Erickson wrote a piece for the Creative Industries Policy & Evidence Centre on evolving copyright approaches for AI-generated works in the EU and China. As AI advances, questions about authorship and legal protections grow. A great summer read for AI enthusiasts! 🌏💡🏖
Our PhD candidate Jessie Yingying Zhu shares her reflections as a first-time junior ASCOLA - Academic Society for Competition Law member at the recent conference 🏛️ High-quality talks, vibrant socials - read her detailed account of this enriching experience in her blog post! create.ac.uk/blog/2024/07/2… ASCOLA UK Chapter
Gen AI has transformed content creation since ChatGPT's 2022 launch, but legal battles rage on. Who owns AI-generated works? Can AI content be copyrighted? Gabriele Cifrodelli & Lilian Edwards explore these questions here 👉 create.ac.uk/blog/2024/07/2… Originally in Wolters Kluwer
New Working Paper 🎉 by Prof. Gillian Doyle(University of Glasgow) and Prof. Sabine Baumann(@HWRBerlin). Explore how Gen AI automate creative work in media industries, potentially counteracting Baumol’s disease and its inflationary effects on📺📽️ production Read🔗create.ac.uk/blog/2024/08/0…
Check out the new resource page documenting our relaunch on 11 March as the Centre for Regulation of the Creative Economy, becoming part of the UK’s research infrastructure under a new 5-year award from Arts and Humanities Research Council. create.ac.uk/ahrc-infrastru… UofG School of Law #CREATeRelaunch #AHRC
We revamped our YouTube with fresh content. First we share a video featuring our directors Martin Kretschmer, Magali Eben and Kristofer Erickson introducing the relaunch of CREATe as the Centre for Regulation of the Creative Economy youtube.com/watch?v=ZaPFsW… Don't forget to subscribe!
AI is reshaping performing arts, sparking fears of displacement and amplifying issues of power, sustainability, and diversity 🤖 In a post for Wolters Kluwer Laurence Bouvard Dr Elena Cooper & Amy Thomas explore AI's impact on the value of human performance 💃 copyrightblog.kluweriplaw.com/2024/08/27/per…
CREATe at EPIPisa2024 Gabriele Cifrodelli asks "Can you patent the sun?" ☀ Ula Furgał & Aline Iramina explore screenwriting transparency 🎬 Kristofer Erickson about TPMs & research 📺 Martin Kretschmer on data governance, creator remuneration & EU copyright law create.ac.uk/blog/2024/09/0…
Curious how creative entrepreneurs succeed on Kickstarter? 🚀 In a new study, Kristofer Erickson, Fabian Homberg (Luiss Guido Carli) & Martin Kretschmer explore how ‘inbound open innovation’ can boost funding and delivery success 💡📈 Read here: create.ac.uk/blog/2024/09/0…